Description
Book SynopsisThe Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century. Guided by twin reparative traditions granting music and philosophy therapeutic power, composers and performers across the embattled Catholic and Protestant confessions turned to moral song as a means of repairing personal and collective virtue damaged by the ongoing conflict. Moral song collections enlarged interest in Stoic philosophy by circulating its ethical program to a broader audience through attractive paraphrases of Stoic maxims set to music. Even more importantly, this skillfully composed repertoire of polyphonic song offered a multi-sensory moral practice that would have resonated powerfully for those well-versed in the paradoxes of the Stoic tradition. Bringing together a repertoire of little-known music prints, a rich visual culture, and an impressive body of literary and philoso
Trade ReviewThis vividly-written and strikingly original study shows how song could act as a crucial tool for individual and collective moral repair at a time when France was riven by war and religious dispute. Through a meticulously researched exploration of Stoic currents in musical culture, Latour convincingly argues that moral song became a significant mode of informal philosophy as early modern French people sought to live well, to cultivate virtue, and to face adversity. * Jeanice Brooks, Professor of Music, University of Southampton *
The Voice of Virtue is a superb study of the French poetry and music that Melinda Latour aptly calls 'singing Stoicism.' With impeccable scholarship and infectious enthusiasm, she illuminates an unfamiliar and remarkable phase of Neostoic thought * A.A. Long, Professor Emeritus of Classics at the University of California, Berkeley, and author of Hellenistic Philosophy and Stoic Studies *
Can music make us better people? In this fascinating and groundbreaking book, Melinda Latour demonstrates how the understudied genre of moral song in the late French Renaissance created a distinctive Stoic sonic world to repair religious conflict and civil strife. The Voice of Virtue makes important links between late Renaissance moral philosophy, devotional poetry, painting, and musical expression. With its wide range of musical illustrations and online links it enables us to appreciate for the first time the intimate beauty of a body of music that has so often been overlooked, and to understand its serious purpose. * Mark Greengrass, Centre Roland Mousnier, Sorbonne Université *
Table of ContentsList of Tables, Figures, and Examples List of Web Examples Preface Introduction Chapter 1: Neostoic Remedies Chapter 2: Imprinting Virtue Chapter 3: The Exercise of Harmony Chapter 4: Musical Paradoxes Chapter 5: Sensing Beauty Chapter 6: Sound Judgment Chapter 7: Moral Ordering Chapter 8: Rehearsing Death Conclusion: Suspensions of Desire Appendix Select Bibliography
