Description

Book Synopsis
This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer.

Trade Review
"[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation." Frank Pierson "If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films." Larry Gelbart "I wish this book had been printed when I started as a writer. It would have been a tremendous help." Aaron Spelling

Table of Contents
  • Preface
  • Acknowledgments
  • Part One. Getting on Your Feet
    • 1. Your Dramatic Heritage
    • 2. What Is a Dramatic Conflict?
    • 3. What Is a Scene?
    • 4. Camera Language and Format
  • Part Two. Developing Character and Conflict
    • 5. Introduction
    • 6. Establishing Character and Conflict
    • 7. Developing Character and Conflict to Crisis
    • 8. Achieving Crisis and Climax
    • 9. Handling Dialogue, Theme, Values, and Moral Urgency
    • 10. Writing the Miniscreenplay
    • 11. A Last Word
  • Appendix: The Market
  • Glossary of Film Terms
  • Index

The Understructure of Writing for Film and

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    Order before 4pm today for delivery by Mon 29 Jun 2026.

    A Paperback / softback by Ben Brady, Lance Lee

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      View other formats and editions of The Understructure of Writing for Film and by Ben Brady

      Publisher: University of Texas Press
      Publication Date: 01/06/1988
      ISBN13: 9780292785151, 978-0292785151
      ISBN10: 0292785151

      Description

      Book Synopsis
      This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer.

      Trade Review
      "[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation." Frank Pierson "If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films." Larry Gelbart "I wish this book had been printed when I started as a writer. It would have been a tremendous help." Aaron Spelling

      Table of Contents
      • Preface
      • Acknowledgments
      • Part One. Getting on Your Feet
        • 1. Your Dramatic Heritage
        • 2. What Is a Dramatic Conflict?
        • 3. What Is a Scene?
        • 4. Camera Language and Format
      • Part Two. Developing Character and Conflict
        • 5. Introduction
        • 6. Establishing Character and Conflict
        • 7. Developing Character and Conflict to Crisis
        • 8. Achieving Crisis and Climax
        • 9. Handling Dialogue, Theme, Values, and Moral Urgency
        • 10. Writing the Miniscreenplay
        • 11. A Last Word
      • Appendix: The Market
      • Glossary of Film Terms
      • Index

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