Description

Book Synopsis
This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer.

Trade Review
"[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation." Frank Pierson "If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films." Larry Gelbart "I wish this book had been printed when I started as a writer. It would have been a tremendous help." Aaron Spelling

Table of Contents
  • Preface
  • Acknowledgments
  • Part One. Getting on Your Feet
    • 1. Your Dramatic Heritage
    • 2. What Is a Dramatic Conflict?
    • 3. What Is a Scene?
    • 4. Camera Language and Format
  • Part Two. Developing Character and Conflict
    • 5. Introduction
    • 6. Establishing Character and Conflict
    • 7. Developing Character and Conflict to Crisis
    • 8. Achieving Crisis and Climax
    • 9. Handling Dialogue, Theme, Values, and Moral Urgency
    • 10. Writing the Miniscreenplay
    • 11. A Last Word
  • Appendix: The Market
  • Glossary of Film Terms
  • Index

The Understructure of Writing for Film and

Product form

£19.79

Includes FREE delivery

RRP £21.99 – you save £2.20 (10%)

Order before 4pm today for delivery by Tue 23 Dec 2025.

A Paperback / softback by Ben Brady, Lance Lee

15 in stock


    View other formats and editions of The Understructure of Writing for Film and by Ben Brady

    Publisher: University of Texas Press
    Publication Date: 01/06/1988
    ISBN13: 9780292785151, 978-0292785151
    ISBN10: 0292785151

    Description

    Book Synopsis
    This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer.

    Trade Review
    "[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation." Frank Pierson "If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films." Larry Gelbart "I wish this book had been printed when I started as a writer. It would have been a tremendous help." Aaron Spelling

    Table of Contents
    • Preface
    • Acknowledgments
    • Part One. Getting on Your Feet
      • 1. Your Dramatic Heritage
      • 2. What Is a Dramatic Conflict?
      • 3. What Is a Scene?
      • 4. Camera Language and Format
    • Part Two. Developing Character and Conflict
      • 5. Introduction
      • 6. Establishing Character and Conflict
      • 7. Developing Character and Conflict to Crisis
      • 8. Achieving Crisis and Climax
      • 9. Handling Dialogue, Theme, Values, and Moral Urgency
      • 10. Writing the Miniscreenplay
      • 11. A Last Word
    • Appendix: The Market
    • Glossary of Film Terms
    • Index

    Recently viewed products

    © 2025 Book Curl

      • American Express
      • Apple Pay
      • Diners Club
      • Discover
      • Google Pay
      • Maestro
      • Mastercard
      • PayPal
      • Shop Pay
      • Union Pay
      • Visa

      Login

      Forgot your password?

      Don't have an account yet?
      Create account