Description

Book Synopsis

This is an annotated English translation of the poetry of Han-shan (Cold Mountain), a 7th or 8th century Chinese Buddhist recluse who wrote many poems about his life alone in the hills. Many of his poems describe the mountains where he lived in dramatic, yet appealing terms, while at the same time symbolizing in Zen fashion the Buddhist quest for enlightenment. Han-shan became a cult figure in the Ch''an/Zen tradition, and legends portray him and his companion Shih-te as eccentrics who said and did nonsensical things. Han-shan does often write on unusual topics with some of his poems being clever insights that just happen to be metric and rhymed. His language is simple and direct; his images and symbols fresh and bold. While the literary value of his work has for the most part been overlooked, this book provides line-by-line literary analysis of some of the more artistically interesting poems. Henricks'' work represents, therefore, a major contribution to the study of Chinese literature and Chinese religion.

The Poetry of HanShan A Complete Annotated

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A Paperback by Robert G. Henricks

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    View other formats and editions of The Poetry of HanShan A Complete Annotated by Robert G. Henricks

    Publisher: State University Press of New York (SUNY)
    Publication Date: 3/22/1990 12:00:00 AM
    ISBN13: 9780887069789, 978-0887069789
    ISBN10: 0887069789

    Description

    Book Synopsis

    This is an annotated English translation of the poetry of Han-shan (Cold Mountain), a 7th or 8th century Chinese Buddhist recluse who wrote many poems about his life alone in the hills. Many of his poems describe the mountains where he lived in dramatic, yet appealing terms, while at the same time symbolizing in Zen fashion the Buddhist quest for enlightenment. Han-shan became a cult figure in the Ch''an/Zen tradition, and legends portray him and his companion Shih-te as eccentrics who said and did nonsensical things. Han-shan does often write on unusual topics with some of his poems being clever insights that just happen to be metric and rhymed. His language is simple and direct; his images and symbols fresh and bold. While the literary value of his work has for the most part been overlooked, this book provides line-by-line literary analysis of some of the more artistically interesting poems. Henricks'' work represents, therefore, a major contribution to the study of Chinese literature and Chinese religion.

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