Description

Book Synopsis
The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, The Sporting Scene, consists of pieces on fishing, football, golf, and lacrossefrom fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called An Album Quilt, is a montage of fragments of varying length from pieces done across the years that have never appeared in book formoccasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author's purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled

The Patch

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A Hardback by John McPhee

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    View other formats and editions of The Patch by John McPhee

    Publisher: Farrar, Straus and Giroux
    Publication Date: 13/11/2018
    ISBN13: 9780374229481, 978-0374229481
    ISBN10: 0374229481

    Description

    Book Synopsis
    The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, The Sporting Scene, consists of pieces on fishing, football, golf, and lacrossefrom fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called An Album Quilt, is a montage of fragments of varying length from pieces done across the years that have never appeared in book formoccasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author's purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled

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