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Book Synopsis
An argument that Modernism is a cognitive phenomenon rather than a cultural one.

At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations.

Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared be

The Mental Life of Modernism Why Poetry Painting

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    A Hardback by Samuel Jay Keyser

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      View other formats and editions of The Mental Life of Modernism Why Poetry Painting by Samuel Jay Keyser

      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 03/03/2020
      ISBN13: 9780262043496, 978-0262043496
      ISBN10: 0262043491
      Also in:
      Art & Photography History of art Philosophy: aesthetics

      Description

      Book Synopsis
      An argument that Modernism is a cognitive phenomenon rather than a cultural one.

      At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations.

      Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared be

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