Description

Book Synopsis
Peter Macnair and Alan Hoover recount the history of Haida argillite carving since it began in the early 1800s, and they describe more than 200 examples from the extensive collection of the Royal BC Museum. Argillite is a dense, black shale mined from a quarry on Haida Gwaii (Queen Charlotte Islands), reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests. 'The careful scholarship of Peter Macnair and Alan Hoover has ensured that The Magic Leaves remains an authoritative text on the types, subjects and history of argillite carving. Argillite carvings made for the souvenir, ethnographic and fine-art markets maintained and developed Indigenous stylistic and narrative traditions. The beautiful black slate of Haida Gwaii continues to be a vehicle for profound expressions of Haida history and artistic innovation.' - Dr. Martha Black, from the Foreword.

Trade Review
The maturation of native art scholarship, which acknowledges the historical dimension and the need for rigorous museum and archival research as the fundamental starting point for all serious investigation, is being finally reached in the 1980s. The Magic Leaves will no doubt contribute significantly to that process of maturation of native art as art history. BC Studies No. 66

The Magic Leaves A History of Haida Argillite

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    A Paperback / softback by Peter Macnair, Alan L. Hoover

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      Book details

      Publisher Royal British Columbia Museum
      Published 1 March 2003
      ISBN-13 9780772647733
      978-0772647733
      ISBN-10 0772647739
      Also in:
      Carvings, masks, reliefs

      Description

      Book Synopsis
      Peter Macnair and Alan Hoover recount the history of Haida argillite carving since it began in the early 1800s, and they describe more than 200 examples from the extensive collection of the Royal BC Museum. Argillite is a dense, black shale mined from a quarry on Haida Gwaii (Queen Charlotte Islands), reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests. 'The careful scholarship of Peter Macnair and Alan Hoover has ensured that The Magic Leaves remains an authoritative text on the types, subjects and history of argillite carving. Argillite carvings made for the souvenir, ethnographic and fine-art markets maintained and developed Indigenous stylistic and narrative traditions. The beautiful black slate of Haida Gwaii continues to be a vehicle for profound expressions of Haida history and artistic innovation.' - Dr. Martha Black, from the Foreword.

      Trade Review
      The maturation of native art scholarship, which acknowledges the historical dimension and the need for rigorous museum and archival research as the fundamental starting point for all serious investigation, is being finally reached in the 1980s. The Magic Leaves will no doubt contribute significantly to that process of maturation of native art as art history. BC Studies No. 66

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