Description

Book Synopsis
Exploring the aristocratic villas and court culture of CÃrdoba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the CÃ rdoban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic texts. While the author brings her expertise on medieval Islamic architecture, art, and urbanism to the topic, the book contributes to wider art historical discourse as well: it is also a synthetic project that incorporates material and insights from experts in other fields (agricultural, e

Trade Review

Prize: Winner of the Eleanor Tufts Award 2015, American Society for Hispanic Art Historical Studies

'This publication met and surpassed the stipulated award criteria of originality of conception, thoroughness of research, rigor of argument, brilliance of insight, significance of findings, and clarity of expression. Although the book will engage and satisfy specialists in Islamic art and architecture, Anderson’s clear prose makes it accessible and valuable to anyone with an interest in a host of related fields.' The 2015 Eleanor Tufts Book Award Committee

'...an innovative study and an enjoyable read, conjuring a world of palaces and gardens, but providing at the same time a rigorous and serious study of the villa’s function and meaning at the Umayyad court at an important moment of the dynasty’s establishment and legitimation.' Mariam Rosser-Owen, Victoria and Albert Museum, UK

'Anderson’s meticulous study illustrates the ways in which the country residences (munya) located in the region of Córdoba formed an integral part of the political, cultural and economic life of the Umayyad dynasty. She demonstrates how ideas of sovereignty were intimately linked to the cultivation of the land, and provides important parallels between the munya and the Umayyad country residences of eighth-century Syria. This book makes a major contribution to our understanding of the culture of the villa in the Medieval Mediterranean.' Marcus Milwright, University of Victoria

'The Islamic Villa in Early Medieval Iberia provides a detailed and pleasant addition to literature on the Iberian peninsula, while expanding villa studies to encompass "nonWestern" examples. It will benefit those interested in this type of architecture as well as in the life and material culture of the Muslim elite of al-Andalus. Architects, historians, and art historians, as well as scholars and students of medieval culture, will undoubtedly enjoy Anderson's book.' Traditional Dwellings and Settlement



Table of Contents
Contents: Introduction; Social dimensions of patronage; Architecture and ornament; Gardens; The landscape of sovereignty; Epilogue; Appendix; Timelines; Bibliography; Index.

The Islamic Villa in Early Medieval Iberia

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A Hardback by Glaire D. Anderson

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    View other formats and editions of The Islamic Villa in Early Medieval Iberia by Glaire D. Anderson

    Publisher: Taylor & Francis Ltd
    Publication Date: 15/08/2013
    ISBN13: 9781409449430, 978-1409449430
    ISBN10: 1409449432

    Description

    Book Synopsis
    Exploring the aristocratic villas and court culture of CÃrdoba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the CÃ rdoban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic texts. While the author brings her expertise on medieval Islamic architecture, art, and urbanism to the topic, the book contributes to wider art historical discourse as well: it is also a synthetic project that incorporates material and insights from experts in other fields (agricultural, e

    Trade Review

    Prize: Winner of the Eleanor Tufts Award 2015, American Society for Hispanic Art Historical Studies

    'This publication met and surpassed the stipulated award criteria of originality of conception, thoroughness of research, rigor of argument, brilliance of insight, significance of findings, and clarity of expression. Although the book will engage and satisfy specialists in Islamic art and architecture, Anderson’s clear prose makes it accessible and valuable to anyone with an interest in a host of related fields.' The 2015 Eleanor Tufts Book Award Committee

    '...an innovative study and an enjoyable read, conjuring a world of palaces and gardens, but providing at the same time a rigorous and serious study of the villa’s function and meaning at the Umayyad court at an important moment of the dynasty’s establishment and legitimation.' Mariam Rosser-Owen, Victoria and Albert Museum, UK

    'Anderson’s meticulous study illustrates the ways in which the country residences (munya) located in the region of Córdoba formed an integral part of the political, cultural and economic life of the Umayyad dynasty. She demonstrates how ideas of sovereignty were intimately linked to the cultivation of the land, and provides important parallels between the munya and the Umayyad country residences of eighth-century Syria. This book makes a major contribution to our understanding of the culture of the villa in the Medieval Mediterranean.' Marcus Milwright, University of Victoria

    'The Islamic Villa in Early Medieval Iberia provides a detailed and pleasant addition to literature on the Iberian peninsula, while expanding villa studies to encompass "nonWestern" examples. It will benefit those interested in this type of architecture as well as in the life and material culture of the Muslim elite of al-Andalus. Architects, historians, and art historians, as well as scholars and students of medieval culture, will undoubtedly enjoy Anderson's book.' Traditional Dwellings and Settlement



    Table of Contents
    Contents: Introduction; Social dimensions of patronage; Architecture and ornament; Gardens; The landscape of sovereignty; Epilogue; Appendix; Timelines; Bibliography; Index.

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