Description

Book Synopsis
The golden age of German cinema began at the end of the First World War and ended shortly after the coming of sound. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings.

Trade Review
"A sumptuous meal for those interested in the dark and brooding days of German cinema." * Cinema Journal *
"Arguably one of the best books on cinema yet written." * Times Literary Supplement *

Table of Contents
Foreword to the English language edition

1 The Predisposition towards Expressionism

2 The Beginnings of the Expressionist Film
The Cabinet of Dr Caligari; Genuine; Von Morgens bis Mitternachts; Torgus;
Raskolnikow

3 The Spell of Light: the Influence of Max Reinhardt
The Student of Prague (1913); Max Reinhardt; The Go/em (1920);
Die Chronik Pon Grieshuus; Vanina; Carl Boese on the special effects
for The Go/em

4 Lubitsch and the Costume Film
!vfadame Dubarry; Sumurun; Anna Boleyn; Danton; Othello; Pola Negri

5 The Stylized Fantastic
Der Miide Tod

6 The Symphonies of Horror
Nosferatu; the demoniac bourgeois; the sway of the Doppelgiinger

7 'Decorative· Expressionism
Waxworks; the concept of space; the obsession with corridors
and staircases; Paul Leni on set designing

8 The World of Shadows and Mirrors
Warning Shadows; the Expressionist actor

9 Studio Architecture and Landscape
Die Nibelungen; geometric grouping

10 The Expressionist Debut of a 'Realistic' Director
Der Schatz

11 Kammerspielfilm and Stimmung
Hintertreppe; Scherben; Sylvester; Paul Czinner; Elisabeth Bergner; Stimmung

12 Murnau and the Kammerspielfilm
The Last Laugh; the mobile camera

13 The Handling of Crowds
Metropolis; the influence of the Expressionist choruses and Piscator

14 The Fritz Lang Thriller
Die Spinnen; Dr Mabuse der Spieler; Spione; Die Frau im Mond

15 Tragedies of the Street
Die Strasse; The joyless Street; Asta Nielsen; Dirnentragiidie;
the Absolute film; Asphalt

16 The Evolution of the Costume Film
Tartuffe

17 The Eye of the Camera in E.A. Dupont
Das Alte Gesetz; Variety

18 The Climax of the Chiaroscuro
Faust

19 Pabst and the Miracle of Louise Brooks
Pandora's Box; Diary of a Lost Girl; Censorship and Pabst's realism

20 The Decline of the German Film
The coming of sound; Die Dreigroschenoper; M; Das Testament
des Dr Mabuse; Miidchen in Uniform; the Ufa style; Leni Riefenstahl;
the post-Nazi era

Appendix: The Dreigroschenoper Lawsuit
Principal Works Mentioned in the Text
Selective Filmography, 1913-33
Index
Sources of Illustrations

The Haunted Screen

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    £27.00

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    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Paperback / softback by Lotte H. Eisner, Roger Greaves

    2 in stock


      View other formats and editions of The Haunted Screen by Lotte H. Eisner

      Publisher: University of California Press
      Publication Date: 29/09/2008
      ISBN13: 9780520257900, 978-0520257900
      ISBN10: 0520257901

      Description

      Book Synopsis
      The golden age of German cinema began at the end of the First World War and ended shortly after the coming of sound. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings.

      Trade Review
      "A sumptuous meal for those interested in the dark and brooding days of German cinema." * Cinema Journal *
      "Arguably one of the best books on cinema yet written." * Times Literary Supplement *

      Table of Contents
      Foreword to the English language edition

      1 The Predisposition towards Expressionism

      2 The Beginnings of the Expressionist Film
      The Cabinet of Dr Caligari; Genuine; Von Morgens bis Mitternachts; Torgus;
      Raskolnikow

      3 The Spell of Light: the Influence of Max Reinhardt
      The Student of Prague (1913); Max Reinhardt; The Go/em (1920);
      Die Chronik Pon Grieshuus; Vanina; Carl Boese on the special effects
      for The Go/em

      4 Lubitsch and the Costume Film
      !vfadame Dubarry; Sumurun; Anna Boleyn; Danton; Othello; Pola Negri

      5 The Stylized Fantastic
      Der Miide Tod

      6 The Symphonies of Horror
      Nosferatu; the demoniac bourgeois; the sway of the Doppelgiinger

      7 'Decorative· Expressionism
      Waxworks; the concept of space; the obsession with corridors
      and staircases; Paul Leni on set designing

      8 The World of Shadows and Mirrors
      Warning Shadows; the Expressionist actor

      9 Studio Architecture and Landscape
      Die Nibelungen; geometric grouping

      10 The Expressionist Debut of a 'Realistic' Director
      Der Schatz

      11 Kammerspielfilm and Stimmung
      Hintertreppe; Scherben; Sylvester; Paul Czinner; Elisabeth Bergner; Stimmung

      12 Murnau and the Kammerspielfilm
      The Last Laugh; the mobile camera

      13 The Handling of Crowds
      Metropolis; the influence of the Expressionist choruses and Piscator

      14 The Fritz Lang Thriller
      Die Spinnen; Dr Mabuse der Spieler; Spione; Die Frau im Mond

      15 Tragedies of the Street
      Die Strasse; The joyless Street; Asta Nielsen; Dirnentragiidie;
      the Absolute film; Asphalt

      16 The Evolution of the Costume Film
      Tartuffe

      17 The Eye of the Camera in E.A. Dupont
      Das Alte Gesetz; Variety

      18 The Climax of the Chiaroscuro
      Faust

      19 Pabst and the Miracle of Louise Brooks
      Pandora's Box; Diary of a Lost Girl; Censorship and Pabst's realism

      20 The Decline of the German Film
      The coming of sound; Die Dreigroschenoper; M; Das Testament
      des Dr Mabuse; Miidchen in Uniform; the Ufa style; Leni Riefenstahl;
      the post-Nazi era

      Appendix: The Dreigroschenoper Lawsuit
      Principal Works Mentioned in the Text
      Selective Filmography, 1913-33
      Index
      Sources of Illustrations

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