Description

Book Synopsis
The golden age of German cinema began at the end of the First World War and ended shortly after the coming of sound. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings.

Trade Review
"A sumptuous meal for those interested in the dark and brooding days of German cinema." * Cinema Journal *
"Arguably one of the best books on cinema yet written." * Times Literary Supplement *

Table of Contents
Foreword to the English language edition

1 The Predisposition towards Expressionism

2 The Beginnings of the Expressionist Film
The Cabinet of Dr Caligari; Genuine; Von Morgens bis Mitternachts; Torgus;
Raskolnikow

3 The Spell of Light: the Influence of Max Reinhardt
The Student of Prague (1913); Max Reinhardt; The Go/em (1920);
Die Chronik Pon Grieshuus; Vanina; Carl Boese on the special effects
for The Go/em

4 Lubitsch and the Costume Film
!vfadame Dubarry; Sumurun; Anna Boleyn; Danton; Othello; Pola Negri

5 The Stylized Fantastic
Der Miide Tod

6 The Symphonies of Horror
Nosferatu; the demoniac bourgeois; the sway of the Doppelgiinger

7 'Decorative· Expressionism
Waxworks; the concept of space; the obsession with corridors
and staircases; Paul Leni on set designing

8 The World of Shadows and Mirrors
Warning Shadows; the Expressionist actor

9 Studio Architecture and Landscape
Die Nibelungen; geometric grouping

10 The Expressionist Debut of a 'Realistic' Director
Der Schatz

11 Kammerspielfilm and Stimmung
Hintertreppe; Scherben; Sylvester; Paul Czinner; Elisabeth Bergner; Stimmung

12 Murnau and the Kammerspielfilm
The Last Laugh; the mobile camera

13 The Handling of Crowds
Metropolis; the influence of the Expressionist choruses and Piscator

14 The Fritz Lang Thriller
Die Spinnen; Dr Mabuse der Spieler; Spione; Die Frau im Mond

15 Tragedies of the Street
Die Strasse; The joyless Street; Asta Nielsen; Dirnentragiidie;
the Absolute film; Asphalt

16 The Evolution of the Costume Film
Tartuffe

17 The Eye of the Camera in E.A. Dupont
Das Alte Gesetz; Variety

18 The Climax of the Chiaroscuro
Faust

19 Pabst and the Miracle of Louise Brooks
Pandora's Box; Diary of a Lost Girl; Censorship and Pabst's realism

20 The Decline of the German Film
The coming of sound; Die Dreigroschenoper; M; Das Testament
des Dr Mabuse; Miidchen in Uniform; the Ufa style; Leni Riefenstahl;
the post-Nazi era

Appendix: The Dreigroschenoper Lawsuit
Principal Works Mentioned in the Text
Selective Filmography, 1913-33
Index
Sources of Illustrations

The Haunted Screen

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A Paperback / softback by Lotte H. Eisner, Roger Greaves

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    View other formats and editions of The Haunted Screen by Lotte H. Eisner

    Publisher: University of California Press
    Publication Date: 29/09/2008
    ISBN13: 9780520257900, 978-0520257900
    ISBN10: 0520257901

    Description

    Book Synopsis
    The golden age of German cinema began at the end of the First World War and ended shortly after the coming of sound. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings.

    Trade Review
    "A sumptuous meal for those interested in the dark and brooding days of German cinema." * Cinema Journal *
    "Arguably one of the best books on cinema yet written." * Times Literary Supplement *

    Table of Contents
    Foreword to the English language edition

    1 The Predisposition towards Expressionism

    2 The Beginnings of the Expressionist Film
    The Cabinet of Dr Caligari; Genuine; Von Morgens bis Mitternachts; Torgus;
    Raskolnikow

    3 The Spell of Light: the Influence of Max Reinhardt
    The Student of Prague (1913); Max Reinhardt; The Go/em (1920);
    Die Chronik Pon Grieshuus; Vanina; Carl Boese on the special effects
    for The Go/em

    4 Lubitsch and the Costume Film
    !vfadame Dubarry; Sumurun; Anna Boleyn; Danton; Othello; Pola Negri

    5 The Stylized Fantastic
    Der Miide Tod

    6 The Symphonies of Horror
    Nosferatu; the demoniac bourgeois; the sway of the Doppelgiinger

    7 'Decorative· Expressionism
    Waxworks; the concept of space; the obsession with corridors
    and staircases; Paul Leni on set designing

    8 The World of Shadows and Mirrors
    Warning Shadows; the Expressionist actor

    9 Studio Architecture and Landscape
    Die Nibelungen; geometric grouping

    10 The Expressionist Debut of a 'Realistic' Director
    Der Schatz

    11 Kammerspielfilm and Stimmung
    Hintertreppe; Scherben; Sylvester; Paul Czinner; Elisabeth Bergner; Stimmung

    12 Murnau and the Kammerspielfilm
    The Last Laugh; the mobile camera

    13 The Handling of Crowds
    Metropolis; the influence of the Expressionist choruses and Piscator

    14 The Fritz Lang Thriller
    Die Spinnen; Dr Mabuse der Spieler; Spione; Die Frau im Mond

    15 Tragedies of the Street
    Die Strasse; The joyless Street; Asta Nielsen; Dirnentragiidie;
    the Absolute film; Asphalt

    16 The Evolution of the Costume Film
    Tartuffe

    17 The Eye of the Camera in E.A. Dupont
    Das Alte Gesetz; Variety

    18 The Climax of the Chiaroscuro
    Faust

    19 Pabst and the Miracle of Louise Brooks
    Pandora's Box; Diary of a Lost Girl; Censorship and Pabst's realism

    20 The Decline of the German Film
    The coming of sound; Die Dreigroschenoper; M; Das Testament
    des Dr Mabuse; Miidchen in Uniform; the Ufa style; Leni Riefenstahl;
    the post-Nazi era

    Appendix: The Dreigroschenoper Lawsuit
    Principal Works Mentioned in the Text
    Selective Filmography, 1913-33
    Index
    Sources of Illustrations

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