Description
Book SynopsisA literary critical and historical chronicle of womens culture in the United States from 1830 to the present, by a leading Americanist.
Trade Review“
The Female Complaint advances and refines the relationship between intimacy and publicity in ways that suggestively rethink the category of individuality in late capitalism. . . .
The Female Complaint is an uncannily hopeful book, finding value and possibility in a wholly nonredemptive account of convention.”
- Jordan Alexander Stein,
GLQ“Berlant sounds like your smartest and bitchiest friend—and the insights just keep coming.” - Heather Love,
Women’s Review of Books“Some of the most important essays on U.S. culture produced during the past decade appear in
The Female Complaint.” - Shirley Samuels,
Novel“
The Female Complaint is a tour de force, a bracing read for feminist
and postmodernist students of popular culture, as well as for genre
theorists.”
- Linda Seidel,
Journal of Popular Culture“The affective pleasure of reading
The Female Complaint emerges from its unwillingness to sacrifice either incisive political critique that challenges the limits of women’s culture or textured formal accounts of the powerful emotional experience its texts provide for its consumers. . . . Theoretically ambitious and cogently argued, funny and invigorating, Berlant’s text promises to profoundly reshape how we think about sentimentality, gender, and affect in American culture.” -
Margaret Ronda,
American Book Review“Guiding us through a ‘women’s culture’ animated by scenes of longing for a fantasmatic commonality, an ever-elusive normativity, Lauren Berlant illuminates, in readings unfailingly subtle and wise, the psychic negotiations and emotional bargaining that women in U.S. culture conduct to be part of an ‘intimate public.’ More dazzlingly still, she addresses what the business of sentimentality works to obscure: the possibility of political agency in the face of a cultural machinery that makes us feel helpless to do anything more than affirm our ability to feel. To read
The Female Complaint is to realize how long and how much it’s been needed.”—
Lee Edelman, author of
No Future: Queer Theory and the Death Drive“Lauren Berlant’s voice is as unmistakable as Ella Fitzgerald singing scat. By turns seductive and bracing, gentle and wise, reassuring and disorienting,
The Female Complaint asks readers to take mass-mediated women’s culture seriously. By the end of this absorbing book, you will understand the importance of living better clichés, why love requires amnesia, and how banality can be therapeutic. You will also have an irresistible craving to watch
Now, Voyager one more time, in whatever setting enables you to thrive, and to give this fascinating book to someone who deserves to love better, or to forgive herself for just getting by.”—
Mary Poovey, New York University
“Of all the feminist cultural theorists whom I admire, Lauren Berlant is the one I consider to be the most theoretically innovative and politically inspiring. Yet this book exceeded even my highest hopes and expectations. Refusing to dodge the really searching political questions for contemporary American culture, Berlant maps the tricky terrain of the intimate public sphere. She has written a phenomenal study of breathtaking scope. I have no doubt that scholars and students will continue to debate the issues it raises for many years to come.”—
Jackie Stacey, University of Manchester
"The essays take as a beginning the 'women's culture' of the eighteen-thirties, which, Berlant argues, was the U.S.’s first 'intimate public,' a mass-market culture premised upon a shared emotional world among its consumers. They go on to consider novels, films, musicals, and cultural moments whose emotional excesses reinforce an attachment to the suffocating conditions of an all-American fantasy:
Uncle Tom’s Cabin,
Show Boat, John Stahl’s film
Imitation of Life, the memorialized deaths of Princess Diana and J.F.K., Jr. . . . Sentimentality isn’t finished with us yet, though may its fantasies be met not with finger-wagging—a favored sentimental mode!—but sustained analysis. Now is the summer of our female complaint! Which, if you have the fortune of being a woman, is every summer." -- Lauren Michele Jackson * The New Yorker *
“
The Female Complaint advances and refines the relationship between intimacy and publicity in ways that suggestively rethink the category of individuality in late capitalism. . . .
The Female Complaint is an uncannily hopeful book, finding value and possibility in a wholly nonredemptive account of convention.”
-- Jordan Alexander Stein * GLQ *
“
The Female Complaint is a tour de force, a bracing read for feminist and postmodernist students of popular culture, as well as for genre theorists.” -- Linda Seidel * Journal of Popular Culture *
“Some of the most important essays on U.S. culture produced during the past decade appear in
The Female Complaint.” -- Shirley Samuels * Novel *
“The affective pleasure of reading
The Female Complaint emerges from its unwillingness to sacrifice either incisive political critique that challenges the limits of women’s culture or textured formal accounts of the powerful emotional experience its texts provide for its consumers. . . . Theoretically ambitious and cogently argued, funny and invigorating, Berlant’s text promises to profoundly reshape how we think about sentimentality, gender, and affect in American culture.” -- Margaret Ronda * American Book Review *
Table of ContentsPreface vii
Introduction: Intimacy, Publicity, and Femininity 1
1. Poor Eliza 33
2. Pax Americana: The Case of
Show Boat 69
3. National Brands, National Body:
Imitation of Life 107
4.
Uncle Sam Needs a Wife: Citizenship and Denegation 145
5. Remembering Love, Forgetting Everything Else:
Now, Voyager 169
6. "It's Not the Tragedies That Kill Us, It's the Messes": Femininity, Formalism, and Dorothy Parker 207
7. The Compulsion to Repeat Femininity:
Landscape for a Good Woman and
The Life and Loves of a She-Devil 233
Overture/Aperture:
Showboat 1988—The Remake 265
Notes 281
Bibliography 319
Index 347
