Description

Book Synopsis

Cities are synonymous with the production and consumption of culture. It is their material and human cultural infrastructure that also makes them archives and works of art. The Cultural Infrastructure of Cities critically re-examines the relationship between the urban and its cultures. It expands our understanding of the concept of urban cultural infrastructure and highlights the foundational role of culture to the materiality and sociality of urban life and the governance of cities.

The book begins with a theoretical overview of the cultural and infrastructural turns in urban studies scholarship. It then explores definitions of cultural infrastructure and its “hard” and “soft” dimensions before critically considering the vulnerabilities generated in the cultural sector by the Covid-19 pandemic. Chapters are organised in four thematic sections focusing on aspects of producing, performing, consuming and collecting culture, which feature detailed case studies from 17 cities across the global North and South.

This book will be of interest not only to students and scholars of urban studies, but also to policy-makers planning and creating cultural infrastructures as well as those working in cultural institutions and creative industries.



Trade Review

Examining the diverse forms of infrastructure that facilitate cultural practice and make cities distinctive, this interdisciplinary collection eschews currently dominant but limited explanations of cultural infrastructure grounded in economics and the creative industries by introducing broader insights from across the arts and social sciences. In so doing, it provides policymakers, researchers, and students alike with wide-ranging opportunities to engage with fresh perspectives and to probe the complexities of urban cultural infrastructure as it is lived, made and governed.

-- Deborah Stevenson, Professor of Sociology and Urban Cultural Research, Western Sydney University

What does it mean to look at the culture of cities through an infrastructure lens? This book's perspective is a powerful antidote against the instrumentalisation of culture to power urban economies and markets. The book maps a landscape of cultural production in cities making visible the complex and often contingent arrangements that make urban cultures alongside the many ways in which spaces of cultural production are reinvented and appropriated. Short, illuminating section introductions and four illustrations of architectural inspiration from Chan Arun-Pina bring together a carefully curated collection of essays. Cultural infrastructures become dynamic, changing, performed, alive. The deliberate engagement with the challenges of cultural production through the pandemic and in the post-pandemic period reemphasises the ever-changing language of cultural production. This book will appeal to artists, performers, curators, planners, entrepreneurs, infrastructure managers, and students and scholars of urban cultures, to look at their city anew and recognise urban culture in-the-making, full of hope and potentiality.

-- Vanesa Castan Broto, Professor of Climate Urbanism, University of Sheffield

Table of Contents

1. Introduction: configuring urban cultural infrastructure
Alison Bain and Julie Podmore

Part I: Producing culture
2. Clustering cultural infrastructure in districts
Alison Bain

3. The relational infrastructure of Open Creative Labs
Suntje Schmidt

4. Affordable studio space as cultural infrastructure: land trusts and the future of creative cities
Rhian Scott, Luke Dickens and Phil Hubbard

Part II: Performing culture
5. The infrastructural politics of post-pandemic theatrical performance
Megan A. Johnson and Marlis Schweitzer

6. The performative contingency of cultural infrastructure
Jessie Stein

7. Embodying cultural infrastructure in Carnival
Martha Radice

8. Youthful city-making through peripheral cultural infrastructure
Antonio Moya-Latorre

Part III: Consuming culture
9. Hawker culture and its infrastructure: experiences and contestations in everyday life
Lily Kong and Aidan Wong

10. Aestheticizing hipster retail infrastructure: from Neapolitan to cosmopolitan
Bryan Mark

11. Crafting alternative urban fashion infrastructure in a digital and pandemic age
Taylor Brydges, Deborah Leslie and Norma Rantisi

12. Embodying arts festivals as infrastructural transformation of places
Bernadette Quinn

Part IV: Collecting culture
13. Infrastructuring museums
Friederike Landau-Donnelly

14. Becoming socio-cultural infrastructure: librarizing practices in public libraries
Rianne van Melik

15. Queer counter-topographies: LGBTQ+ community archives as urban cultural infrastructure
Julie Podmore

16. Conclusion: Reconfiguring urban cultural infrastructure
Alison Bain, Julie Podmore and Chan Arun-Pina

The Cultural Infrastructure of Cities

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A Hardback by Professor Alison L. Bain, Professor Julie A. Podmore

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    View other formats and editions of The Cultural Infrastructure of Cities by Professor Alison L. Bain

    Publisher: Agenda Publishing
    Publication Date: 07/08/2023
    ISBN13: 9781788214919, 978-1788214919
    ISBN10: 1788214919

    Description

    Book Synopsis

    Cities are synonymous with the production and consumption of culture. It is their material and human cultural infrastructure that also makes them archives and works of art. The Cultural Infrastructure of Cities critically re-examines the relationship between the urban and its cultures. It expands our understanding of the concept of urban cultural infrastructure and highlights the foundational role of culture to the materiality and sociality of urban life and the governance of cities.

    The book begins with a theoretical overview of the cultural and infrastructural turns in urban studies scholarship. It then explores definitions of cultural infrastructure and its “hard” and “soft” dimensions before critically considering the vulnerabilities generated in the cultural sector by the Covid-19 pandemic. Chapters are organised in four thematic sections focusing on aspects of producing, performing, consuming and collecting culture, which feature detailed case studies from 17 cities across the global North and South.

    This book will be of interest not only to students and scholars of urban studies, but also to policy-makers planning and creating cultural infrastructures as well as those working in cultural institutions and creative industries.



    Trade Review

    Examining the diverse forms of infrastructure that facilitate cultural practice and make cities distinctive, this interdisciplinary collection eschews currently dominant but limited explanations of cultural infrastructure grounded in economics and the creative industries by introducing broader insights from across the arts and social sciences. In so doing, it provides policymakers, researchers, and students alike with wide-ranging opportunities to engage with fresh perspectives and to probe the complexities of urban cultural infrastructure as it is lived, made and governed.

    -- Deborah Stevenson, Professor of Sociology and Urban Cultural Research, Western Sydney University

    What does it mean to look at the culture of cities through an infrastructure lens? This book's perspective is a powerful antidote against the instrumentalisation of culture to power urban economies and markets. The book maps a landscape of cultural production in cities making visible the complex and often contingent arrangements that make urban cultures alongside the many ways in which spaces of cultural production are reinvented and appropriated. Short, illuminating section introductions and four illustrations of architectural inspiration from Chan Arun-Pina bring together a carefully curated collection of essays. Cultural infrastructures become dynamic, changing, performed, alive. The deliberate engagement with the challenges of cultural production through the pandemic and in the post-pandemic period reemphasises the ever-changing language of cultural production. This book will appeal to artists, performers, curators, planners, entrepreneurs, infrastructure managers, and students and scholars of urban cultures, to look at their city anew and recognise urban culture in-the-making, full of hope and potentiality.

    -- Vanesa Castan Broto, Professor of Climate Urbanism, University of Sheffield

    Table of Contents

    1. Introduction: configuring urban cultural infrastructure
    Alison Bain and Julie Podmore

    Part I: Producing culture
    2. Clustering cultural infrastructure in districts
    Alison Bain

    3. The relational infrastructure of Open Creative Labs
    Suntje Schmidt

    4. Affordable studio space as cultural infrastructure: land trusts and the future of creative cities
    Rhian Scott, Luke Dickens and Phil Hubbard

    Part II: Performing culture
    5. The infrastructural politics of post-pandemic theatrical performance
    Megan A. Johnson and Marlis Schweitzer

    6. The performative contingency of cultural infrastructure
    Jessie Stein

    7. Embodying cultural infrastructure in Carnival
    Martha Radice

    8. Youthful city-making through peripheral cultural infrastructure
    Antonio Moya-Latorre

    Part III: Consuming culture
    9. Hawker culture and its infrastructure: experiences and contestations in everyday life
    Lily Kong and Aidan Wong

    10. Aestheticizing hipster retail infrastructure: from Neapolitan to cosmopolitan
    Bryan Mark

    11. Crafting alternative urban fashion infrastructure in a digital and pandemic age
    Taylor Brydges, Deborah Leslie and Norma Rantisi

    12. Embodying arts festivals as infrastructural transformation of places
    Bernadette Quinn

    Part IV: Collecting culture
    13. Infrastructuring museums
    Friederike Landau-Donnelly

    14. Becoming socio-cultural infrastructure: librarizing practices in public libraries
    Rianne van Melik

    15. Queer counter-topographies: LGBTQ+ community archives as urban cultural infrastructure
    Julie Podmore

    16. Conclusion: Reconfiguring urban cultural infrastructure
    Alison Bain, Julie Podmore and Chan Arun-Pina

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