Description
Book SynopsisNew paperback, with contextualising timeline and biographies, published in association with the Society for Theatre ResearchThis volume covers the period from 1933 to 1952, and focuses on theatre censorship during the period before, during and after the Second World War, focusing mainly on political and moral censorship.
Trade ReviewNicholson’s volumes are unique in their objective and especially their richness of research material. As such, his Censorship of British Drama represents an unsurpassed source of reference for theatre historians.
* Studies in Theatre and Performance *
. . . should be welcomed as a long overdue account of the role and function of British theatre censorship during the twentieth century.
* Modern Drama *
Table of Contents
Acknowledgements
Introduction: 'The Most Dispensable of All the Fetters'
Section One: 1933-1939
1 'Verboten': The Nazis Onstage
2 'Prudes on the Prowl': The Moral Gaze
3 'The Author Will Probably Deny It...': Naming the Homosexual
4 'These Communist Effusions': Testing Tolerance in Politics and Religion
Section Two: 1939-1945
5 'Everybody Bombs Babies Now': Politics in Wartime
6 'Lubricating the War Machine': The Nude in Wartime
7 'Beastly Practices': Sexual Taboos in Wartime
Section Three: 1945-1952
8 'Two Ways To Get Rid Of The Censor'
9 'This Infernal Business of Sex'
10 'But Perverts Must Go Somewhere in the Evening'
11 'The Crazy but Satisfactory Ethics of the English'
Afterword: 'Congenial Work'
Notes on Archive Referencing and Authors' Names
Notes
Select Bibliography
Index
