Description
Book SynopsisThis study deals with the aesthetic manifestations of one of the world’s most fiercely iconophobic and anti-aesthetic religious cultures: Calvinism. It establishes the category of the
Calvinesque as an aesthetic of extreme violence against the human body. In close readings of theological documents, literary texts and dramatic speeches, the book examines the extent to which language, literary imagination and theology permeate and condition each other. The book aims at providing new perspectives on literary stylistics after the
religious turn in the humanities. By emphasising the pervasive impact of Protestant theology on secular Western culture and by radically questioning some of the narratives that have been crucial to Western (Protestant) identity, this study opens up historical perspectives to contemporary debates about the impact of Calvinism on political discourses, violent entertainment, disciplinary culture and an Anglo-American humanitarian «pornography of pain».
Table of ContentsContents: Iconoclasm, Calvin, and Word-painting – Anti-Theatricality and the Imagination of Violence – Protestant Martyrdom – «The Calvinesque»: Literary and Dramatic Language – Psalm Translation after the Reformation – Calvinism, Elizabethan and Jacobean Drama – The Rhetoric of Prophecy – The Iconography of God’s Punishment: «Braining» – Calvinism and Histories of Violence in Europe: Karen Halttunen, Philip Gorski, Charles Taylor, Michel Foucault, Norbert Elias.
