Description

Book Synopsis
A fresh interpretation of an enigmatic illumination and its contexts. The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth? This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.

Table of Contents
Introduction: Losing and Finding the Ashburnham Pentateuch 1. Early Trinitarian Texts and Debates 2. The Trinity in Early Christian Images 3. Carolingian Conceptions of the Trinity 4. Carolingian Image Theory 5. The Carolingian Reception of the Ashburnham Pentateuch Conclusion: Possible Motivations for the Ashburnham Pentateuch Erasures[TS1] Coda: The Afterlife [TS2] of the Ashburnham Pentateuch

The Ashburnham Pentateuch and its Contexts: The

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A Hardback by Jennifer Awes Freeman

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    View other formats and editions of The Ashburnham Pentateuch and its Contexts: The by Jennifer Awes Freeman

    Publisher: Boydell & Brewer Ltd
    Publication Date: 22/03/2022
    ISBN13: 9781783276844, 978-1783276844
    ISBN10: 1783276843
    Also in:
    Palaeography

    Description

    Book Synopsis
    A fresh interpretation of an enigmatic illumination and its contexts. The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth? This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.

    Table of Contents
    Introduction: Losing and Finding the Ashburnham Pentateuch 1. Early Trinitarian Texts and Debates 2. The Trinity in Early Christian Images 3. Carolingian Conceptions of the Trinity 4. Carolingian Image Theory 5. The Carolingian Reception of the Ashburnham Pentateuch Conclusion: Possible Motivations for the Ashburnham Pentateuch Erasures[TS1] Coda: The Afterlife [TS2] of the Ashburnham Pentateuch

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