Description

Book Synopsis


Trade Review
"Finalist for the Charles Rufus Morey Book Award, College Art Association"
"One of the most intriguing works of Ottoman art is an album of calligraphy, paintings and drawings made for Sultan Ahmed by one of his courtiers. As this study shows, it tells us much about patronage, collecting and the interplay of Ottoman and Persian traditions in the 17th century." * Apollo Magazine *
"The Album of the World Emperor is a remarkable contribution to the study of the arts of the book, collecting practices, and imperial self-fashioning in the Islamic world. . . . Fetvaci advances a deeply learned argument that places actual and abstract juxtapositions within Ottoman and Perso-Islamic bookmaking and reading/viewing traditions. It rightly presents its material as 'a local manifestation of the interconnected globe.' It promises to traverse some of the seemingly insurmountable boundaries between art historical fields focusing on Europe and the Islamic world. Fetvaci’s exemplary scholarship should therefore inspire Islamic art historians and early modernists interested in contacts and exchanges more broadly."---Sinem A. Casale, Art Bulletin

The Album of the World Emperor

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    £56.00

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    RRP £70.00 – you save £14.00 (20%)

    Order before 4pm tomorrow for delivery by Sat 4 Jul 2026.

    A Hardback by Emine Fetvacı

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      Publisher: Princeton University Press
      Publication Date: 07/01/2020
      ISBN13: 9780691189154, 978-0691189154
      ISBN10: 0691189153

      Description

      Book Synopsis


      Trade Review
      "Finalist for the Charles Rufus Morey Book Award, College Art Association"
      "One of the most intriguing works of Ottoman art is an album of calligraphy, paintings and drawings made for Sultan Ahmed by one of his courtiers. As this study shows, it tells us much about patronage, collecting and the interplay of Ottoman and Persian traditions in the 17th century." * Apollo Magazine *
      "The Album of the World Emperor is a remarkable contribution to the study of the arts of the book, collecting practices, and imperial self-fashioning in the Islamic world. . . . Fetvaci advances a deeply learned argument that places actual and abstract juxtapositions within Ottoman and Perso-Islamic bookmaking and reading/viewing traditions. It rightly presents its material as 'a local manifestation of the interconnected globe.' It promises to traverse some of the seemingly insurmountable boundaries between art historical fields focusing on Europe and the Islamic world. Fetvaci’s exemplary scholarship should therefore inspire Islamic art historians and early modernists interested in contacts and exchanges more broadly."---Sinem A. Casale, Art Bulletin

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