Description
Book SynopsisThe Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an opposition
Table of ContentsList of Illustrations Introduction: Proscriptive Orientations Chapter 1. The Twitters of the Machine: The Bolex H-16 Camera In and Out of Control Chapter 2. Untrue Truisms: The Paradoxes of Reversal Film Stock Chapter 3. A Lab of One's Own: Personal Cinema Invades the Film Laboratory Chapter 4. Holding the Jalopy Together: The Optical Printer and DIY Culture Epilogue: Midwives for Existence Notes Selected Bibliography Index
