Description
Book SynopsisThe winner of the Nobel Trize for Literature, the twentieth century''s most famous poet and its most influential literary arbiter, T.S. Eliot has long been thought to be an obscure and difficult poet--forbiddingly learned, maddeningly enigmatic. Now, in this brilliant exploration of T.S. Eliot''s work, prize-winning poet Craig Raine reveals that, on the contrary, Eliot''s poetry (and drama and criticism) can be seen as a unified and coherent body of work. Indeed, despite its manifest originality, its radical experimentation, and its dazzling formal variety, his verse yields meaning just as surely as other more conventional poetry. Raine argues that an implicit controlling theme--the buried life, or the failure of feeling--unfolds in surprisingly varied ways throughout Eliot''s work. But alongside Eliot''s desire to live with all intensity was also a distrust of violent emotion for its own sake. Raine illuminates this paradoxical Eliot--an exacting anti-romantic realist, skeptical of t
Trade ReviewThis is a thoughtful book on a thorny subject. * John Montague, Irish Times (Dublin) *
The book is excellent on the influence on Eliot of Jules Laforge, and has a poet's astute ear for the stray effects of sound and syntax. * Terry Eagleton, Prospect *
A lively new book. * Bernard O'Donoghue, Literary Review *
The most attractive quality of Raine's mind, in this book, is its vivacity, its enthusiasm, its racy pleasure in turning aside to compare a detail in Eliot with something in Nabokov, Kundera or Lawrence. * Denis Donoghue, London Review of Books *
a fabulous stimulating book, which marries old-fashioned literary criticism to pleasingly off-beam cultural allusions. * Ian Thomson, The Spectator *
This book is an ingenious and convincing demonstration that Eliot is still the Old Possum: lying unassertively low, but anxiously aware that the disinterment of the buried life is an undeniable imperative. But most importantly, it shows perceptively why Eliot's poems work with their unique compulsiveness. * Bernard O'Donoghue, Literary Review *
(Eliot's) existence is in his published work. This explains the strategy of Raine's short monograph - an intensely argued reading of the words on the published page. The exercise is done brilliantly. A poet himself, Raine is hyper alert to nuance. He has a sensitivity to literary echo rivalling that of the greatest living reader of Eliot, Christopher Ricks. * John Sutherland, Financial Times *
There are authors who one would rather read about than read. T.S Eliot is not one of them, yet there is both pleasure and profit to be got from Craig Raine's new study of the poet. * John Bayley, Times Literary Supplement *
Do we need another book about him? The answer, given Craig Raine's T.S. Eliot, is a strong 'Yes'. * Sean O'Brien, Sunday Times (Culture) *
A good guide to the historical and literary origins of the poems. * Philip Hensher, The Daily Telegraph *
A new, more accessible Eliot * Michiko Kakutani, International Herald Tribune *
Raine succeeds in clarifying the emotional atmosphere of poems that readers often find forbidding...[his] thematic summaries are surely not wrong...and they help to orient a first reading of Eliot's work * Adam Kirsch, Literary Criticism, The Times Literary Supplement no5420 *
a superb introduction to a great poet and a lovable man. * Contemporary Review *
Table of ContentsIntroduction: Eliot and the Buried Life The Failure to Live Eliot as Classicist The Waste Land Four Quartets The Drama The Criticism Appendix One: Eliot and Anti-Semitism Appendix Two: Translations of "Lune De Miel" and "Dans Le Restaurant" Appendix Three: Eliot Chronology
