Description
Book SynopsisIn this important new book, leading cultural theorist and philosopher Bernard Stiegler re-examines the relationship between politics and art in the contemporary world. Our hyper-industrial epoch represents what Stiegler terms a 'katastroph of the sensible'.
Trade Review"What links Andy Warhol, Bela Bartok, Glenn Gould and Joseph Beuys? This, says Stiegler: each in his own way understood the decisive changes brought about in the arts by their entanglement in networks of industrial production and commercial consumption, and each also realized that this entanglement called into question whether any of us - actual or merely potential artists - could any longer be said to participate in the creation and circulation of symbols. This is the question of what Stiegler terms �symbolic misery�, and he answers it with characteristic defiance. If we are indeed excluded from such participation, then the possibility of overturning this state of affairs is everywhere around us: in precisely those technical forms we more usually experience as feeding our addiction to alienation. All that is needed is to transform these from poison into cure, which is to say: to learn how to use them! This is a work of sober, impassioned understanding."
Martin Crowley, Queens� College, Cambridge
"In Symbolic Misery one of Europe�s leading contemporary thinkers offers indispensable insights into modern technology and its influence on the ways we come to think and feel. Stiegler does not simply diagnose a collective malaise, however; his writing is a call to arms and a programme for a total rethinking of our relationship to technical objects."
Ian James, Downing College, Cambridge
Table of ContentsCall to Adventure
Notice to the Reader
Prologue with Chorus
Sensibility’s Machinic Turn and Music’s Privilege
I Sensing through Participation
Or the Art of Acting Out
II Setting Out
From Warhol and Beuys
III Us All
Individuation as Trans-formation and Trans-formation as Social Sculpture
IV Freud’s Repression
Where the Living Seize the Dead and Vice Versa
V The Disjunctive Conjunction
Mais où est donc Ornicar?
