Description
Book SynopsisTrade Review"The exercises are inspirationally clever. . . . I like the wide variety of 'real music' examples as well and I suspect that my grad students would be equally appreciative. . . . I like the summaries, point-by-point reminders, and suggestions about such matters as how to figure a bass or how to write a sequence. Students will find such lists to be both very clear and very comforting."--Neil Minturn, University of Missouri
Table of ContentsPreface Chapter 1: Musical Time and Space Assignment 1.1: Rhythm, Meter, and Accent Assignment 1.2: More Metrical Issues, Scales, and Key Signatures Assignment 1.3: More Scales, Intervals Assignment 1.4: More intervals and Melody Chapter 2: Harnessing Musical Time and Space Assignment 2.1: Contrapuntal Motions and 1:1 Counterpoint Assignment 2.2: 1:1 and 2:1 Counterpoint Assignment 2.3: 2:1 Counterpoint, Triads Assignment 2.4: Triads and Figured Bass Assignment 2.5: Figured Bass and Harmonic Analysis Assignment 2.6: Seventh Chords Assignment 2.7: Seventh Chords, Texture Chapter 3: Making Choices: When Harmony, Melody, and Rhythm Merge Assignment 3.1: Tones of Figuration and Harmonic Analysis Assignment 3.2: Melodic Fluency Assignment 3.3: Embellishment Chapter 4: Composition and Analysis: Using I, V, and V7 Assignment 4.1: Writing and Analyzing I and V Assignment 4.2: More Writing of Tonic and Dominant Assignment 4.3: V7 Chapter 5: Contrapuntal Expansions of Tonic and Dominant Assignment 5.1: Six-Three Chords Assignment 5.2: More Six-Threes Assignment 5.3: V7 and viio7 Assignment 5.4: More Seventh Chords Chapter 6: A New Harmonic Function; Additional Melodic and Harmonic Embellishments Assignment 6.1: The Pre-Dominant Assignment 6.2: More Pre-Dominants Assignment 6.3: Accented Tones of Figuration Assignment 6.4: All Tones of Figuration Chapter 7: Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model Assignment 7.1: Six-Four Chords Assignment 7.2: More Six-Four Chords and Non-Dominant Seventh Chords Assignment 7.3: More Non-Dominant Seventh Chords Assignment 7.4: Embedded Phrase Models Chapter 8: The Submediant and Mediant Assignment 8.1: The Submediant Assignment 8.2: Submediant and Mediant Assignment 8.3: More Submediant and Mediant Assignment 8.4: Paradigms and Composition Chapter 9: The Period, Double Period, and Sentence Assignment 9.1: Period and Sentence Assignment 9.2: Composition Assignment 9.3: Period, Sentence, and Double Period Chapter 10: Harmonic Sequences: Concepts and Patterns Assignment 10.1: Triadic Sequences Assignment 10.2: More Triadic Sequences Assignment 10.3: Triadic and Seventh Chord Sequences Chapter 11: Applied Chords Assignment 11.1: Spelling, Recognizing, and Writing Applied Chords Assignment 11.2: Applied viio7 Assignment 11.3: Harmonization and Applied Chord Sequences Assignment 11.4: Extended Tonicization Chapter 12: Modulation and Binary Form Assignment 12.1: Closely Related Keys, Pivots, and Modulation Assignment 12.2: More Modulation; More Writing Assignment 12.3: Two-Voice Modulations, Modulation, and Binary Form Assignment 12.4: Modulation and Binary Form Assignment 12.5: Binary Form Chapter 13: Expressive Chromaticism: Modal Mixture and Chromatic Tonicization Assignment 13.1: Melodic and Harmonic Mixture Assignment 13.2: Plagal motions Assignment 13.3: Chromatic Tonicization Assignment 13.4: Prepared and Common-Tone Chromatic Modulations Chapter 14: The Neapolitan and Augmented Sixth Chords Assignment 14.1: Identifying and Writing the Neapolitan Chord Assignment 14.2: More Neapolitan Assignment 14.3: Tonicization of the Neapolitan Assignment 14.4: Augmented Sixth Chords Assignment 14.5: More Augmented Sixth Chords Assignment 14.6: More Writing of Augmented Sixth Chords, +6 in Modulation Chapter 15: Ternary and Sonata Forms Assignment 15.1: Analysis of Ternary Assignment 15.2: Ternary and Binary Forms Assignment 15.3: Sonata Keyboard Exercises
