Description

Book Synopsis

In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or d

Trade Review

[Staging Harmony]... is an engaging and historically well-informed work that explores the complex relationship of music and drama over the long sixteenth century, filling in the gaps that result from focusing too narrowly on the Elizabethan commercial theater to the exclusion of early Tudor interludes, Reformist morality plays, schoolboy dramas, and court and household entertainments.

-- Jonathan Baldo, Eastman School of Music, University of Rochester * Renaissance Quarterly *

Staging Harmony offers a sophisticated account of theatrical engagement with music over a key period of dramatic production, a subtle description of early modern religious cultures, and a rich theorization of music’s role in embodied belief.

* EARLY THEATRE *

Table of Contents

Introduction: Theater, Music, and Religion in the Long Sixteenth Century
1. Sacred, Sensual, and Social Music: Wisdom and the Digby Mary Magdalene
2. Musical Hypocrisy: The Plays of John Bale
3. Learning to Sing: The Plays of Nicholas Udall
4. Propaganda and Psalms: Early Elizabethan Drama
5. Sound Effects: Doctor Faustus
6. Arts to Enchant: The Tempest and The Winter's Tale

Staging Harmony

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    A Hardback by Katherine Steele Brokaw

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      Publisher: Cornell University Press
      Publication Date: 18/07/2016
      ISBN13: 9781501703140, 978-1501703140
      ISBN10: 1501703145

      Description

      Book Synopsis

      In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or d

      Trade Review

      [Staging Harmony]... is an engaging and historically well-informed work that explores the complex relationship of music and drama over the long sixteenth century, filling in the gaps that result from focusing too narrowly on the Elizabethan commercial theater to the exclusion of early Tudor interludes, Reformist morality plays, schoolboy dramas, and court and household entertainments.

      -- Jonathan Baldo, Eastman School of Music, University of Rochester * Renaissance Quarterly *

      Staging Harmony offers a sophisticated account of theatrical engagement with music over a key period of dramatic production, a subtle description of early modern religious cultures, and a rich theorization of music’s role in embodied belief.

      * EARLY THEATRE *

      Table of Contents

      Introduction: Theater, Music, and Religion in the Long Sixteenth Century
      1. Sacred, Sensual, and Social Music: Wisdom and the Digby Mary Magdalene
      2. Musical Hypocrisy: The Plays of John Bale
      3. Learning to Sing: The Plays of Nicholas Udall
      4. Propaganda and Psalms: Early Elizabethan Drama
      5. Sound Effects: Doctor Faustus
      6. Arts to Enchant: The Tempest and The Winter's Tale

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