Description
Anya Phillips, James Chance''s former manager and girlfriend, took photo portraits of James from the late 70''s until her death in 1981. During the late 70''s through the mid 80''s in New York City, various combinations of factors such as experimental music, experimental video, performance art, and contemporary art burst forth and gave rise to the No Wave movement. In the middle of the vortex, occurring during that time of freewheeling stage performances and amidst the gathered public attention was the saxophonist James Chance. So too, his manager and lover Anya Phillips, the eponymous co-founder of the legendary nightclub, the Mudd Club, whose huge influence was echoing across the city''s underground culture even as she left the world at the tender age of 26. But really, who was Anya? In that chaotic time in New York City, with its New Wave centered in overflowing anger at commercialism, what manner of things could James and Anya have been seeing, and what kind of tho