Description

Book Synopsis
Outstanding interviews with 43 towering figures of recent art history.

Trade Review

"The epic career of William Furlong is summed up in this not-to-be-missed book, a vast, brilliant anthology of transcripts from some of his most important recorded interviews with artists over the last forty years."—Mousse

"There is no better way to help inform your appreciation and understanding of an artist's work and philosophy than to hear what they themselves think about what they do. This excellent book focuses on that very point: it brings together in print some 43 artist interviews taken from one of the most impressive sound archives in the world, Audio Arts."—The Artist

"We should probably see Furlong as a peculiarly English autodidact figure scrupulously orchestrating a record of the international art world over the last 40 years... We begin with a bang, with Marcel Duchamp [...] his spiky presence as a provocateur and dandy exactly preserved... Some of the earliest interviewees, such as John Cage, Tadeusz Kantor and Philip Glass, suggest a programme accommodating figures on the margins of a traditional definition of a visual arts discourse. This inclusiveness is a trace of the early Conceptual Art mindset out of which Furlong's project originally emerged... These are, however, evocative historical documents in more ways than simply as records of artists' speech and thought. The 1980s interviews are a window into an era... One of the advantages of reading interviews sequentially is that the particularities of language employed by the artists are highlighted by difference... When [Joseph] Beuys's English slips a little [...], the loss of the original sound is irrelevant as his unmistakeably hypnotic Germanic tones rise through the transcripts. The editing is sensitive enough to establish thematic threads; for example, in the sequential cluster of Wolgang Tillmans, Gilbert & George, Jeff Wall and Thomas Demand, effectively blocking in a workable set of parameters for contemporary art photography."—Art Monthly

"Phaidon Press has now published Speaking of Art, a small sampling of the immense undertaking that resulted from that dissatisfaction. Beginning in 1973, with the help of a few collaborators, Mr. Furlong created Audio Arts, a no-budget 'magazine' composed solely of cassette recordings of interviews with artists Mr. Furlong found interesting. He mailed them to friends and subscribers, at first hundreds and then thousands. [...] Speaking of Art is made to resemble a cassette, with an "A" side and a flip-over "B" side and shiny dark-brown endpapers to evoke magnetic tape. It presents edited transcripts of 43 artists from the archive. [...] The excerpts from their conversations skew more toward the academic (Mr. Furlong has been an art professor most of his life) than toward the breezy tone of Paris Review interviews. But they never veer far from Mr. Furlong's guiding principle that he is talking with artists, not interviewing them."—New York Times



Table of Contents
Speaking of Art collects the 40 best interviews from the Audio Arts archive - Joseph Beuys, John Cage, Frank Stella, Richard Serra, Ed Ruscha, Marina Abramovic, Damien Hirst and Thomas Demand, among many others.

Speaking of Art

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A Hardback by William Furlong, Mel Gooding

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    View other formats and editions of Speaking of Art by William Furlong

    Publisher: Phaidon Press Ltd
    Publication Date: 25/06/2012
    ISBN13: 9780714845067, 978-0714845067
    ISBN10: 071484506X

    Description

    Book Synopsis
    Outstanding interviews with 43 towering figures of recent art history.

    Trade Review

    "The epic career of William Furlong is summed up in this not-to-be-missed book, a vast, brilliant anthology of transcripts from some of his most important recorded interviews with artists over the last forty years."—Mousse

    "There is no better way to help inform your appreciation and understanding of an artist's work and philosophy than to hear what they themselves think about what they do. This excellent book focuses on that very point: it brings together in print some 43 artist interviews taken from one of the most impressive sound archives in the world, Audio Arts."—The Artist

    "We should probably see Furlong as a peculiarly English autodidact figure scrupulously orchestrating a record of the international art world over the last 40 years... We begin with a bang, with Marcel Duchamp [...] his spiky presence as a provocateur and dandy exactly preserved... Some of the earliest interviewees, such as John Cage, Tadeusz Kantor and Philip Glass, suggest a programme accommodating figures on the margins of a traditional definition of a visual arts discourse. This inclusiveness is a trace of the early Conceptual Art mindset out of which Furlong's project originally emerged... These are, however, evocative historical documents in more ways than simply as records of artists' speech and thought. The 1980s interviews are a window into an era... One of the advantages of reading interviews sequentially is that the particularities of language employed by the artists are highlighted by difference... When [Joseph] Beuys's English slips a little [...], the loss of the original sound is irrelevant as his unmistakeably hypnotic Germanic tones rise through the transcripts. The editing is sensitive enough to establish thematic threads; for example, in the sequential cluster of Wolgang Tillmans, Gilbert & George, Jeff Wall and Thomas Demand, effectively blocking in a workable set of parameters for contemporary art photography."—Art Monthly

    "Phaidon Press has now published Speaking of Art, a small sampling of the immense undertaking that resulted from that dissatisfaction. Beginning in 1973, with the help of a few collaborators, Mr. Furlong created Audio Arts, a no-budget 'magazine' composed solely of cassette recordings of interviews with artists Mr. Furlong found interesting. He mailed them to friends and subscribers, at first hundreds and then thousands. [...] Speaking of Art is made to resemble a cassette, with an "A" side and a flip-over "B" side and shiny dark-brown endpapers to evoke magnetic tape. It presents edited transcripts of 43 artists from the archive. [...] The excerpts from their conversations skew more toward the academic (Mr. Furlong has been an art professor most of his life) than toward the breezy tone of Paris Review interviews. But they never veer far from Mr. Furlong's guiding principle that he is talking with artists, not interviewing them."—New York Times



    Table of Contents
    Speaking of Art collects the 40 best interviews from the Audio Arts archive - Joseph Beuys, John Cage, Frank Stella, Richard Serra, Ed Ruscha, Marina Abramovic, Damien Hirst and Thomas Demand, among many others.

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