Description
Book SynopsisBoth masculinity and the Northern Irish conflict have been the subjects of a great deal of recent scholarship, yet there is a dearth of material on Northern Irish masculinity. Northern Ireland has a remarkable literary output relative to its population, but the focus of critical attention has been on poetry rather than the fine novels that have been written in and about Ulster. This book goes some way towards remedying the deficiency in critical attention to the Northern Irish novel and the lack of gendered approaches to Northern Irish literature and society.
Sons of Ulster explores the representation of masculinity within a number of Northern Irish novels written since the mid-1990s, focusing on works by Eoin McNamee, Glenn Patterson and Robert McLiam Wilson. One of the key aims of the book is to disrupt notions of a hegemonic Northern Irish masculinity based on violent conflict and hyper-masculine sectarian rhetoric. The author uses the three sections of the text to represent the three key facets of Northern Irish masculinity: bodies, performances and subjectivity bound up with violence.
Table of ContentsContents: The Grotesque Feminine in the Northern Irish Imagination – The Problem of Gender and Vision in Northern Ireland – The Body Abject in
Ripley Bogle – The Hermeneutics of the Tortured Body in
Resurrection Man – Self Reflexivity and Performativity in
Eureka Street and
Ripley Bogle – Postmodern ‘Hard Men’ in the Novels of Jason Johnson and Eoin McNamee – Homophobia and the Homoerotic in Northern Irish Fiction – Patriarchy, Masculinity and Fatherhood – Problematising Male Violence in the Northern Irish Novel – Military Violence in Northern Ireland – Masculinity and Victimhood – The Battle for Hegemonic Masculinity in Transitional Northern Ireland – Appendices: Interviews on Masculinity with Robert McLiam Wilson, Glenn Patterson and Eoin McNamee.
