Description

In early 1900, the paths of three British writers—Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle—crossed in South Africa, during what’s become known as Britain’s last imperial war. Each of the three had pressing personal reasons to leave England behind, but they were also motivated by notions of duty, service, patriotism and, in Kipling's case, jingoism. Sarah LeFanu compellingly opens an unexplored chapter of these writers’ lives, at a turning point for Britain and its imperial ambitions. Was the South African War, as Kipling claimed, a dress rehearsal for the Armageddon of World War One? Or did it instead foreshadow the anti-colonial guerrilla wars of the later twentieth century? Weaving a rich and varied narrative, LeFanu charts the writers’ paths in the theatre of war, and explores how this crucial period shaped their cultural legacies, their shifting reputations, and their influence on colonial policy.

Something of Themselves: Kipling, Kingsley, Conan Doyle and the Anglo-Boer War

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Hardback by Sarah LeFanu

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Short Description:

In early 1900, the paths of three British writers—Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle—crossed in South Africa, during... Read more

    Publisher: C Hurst & Co Publishers Ltd
    Publication Date: 06/02/2020
    ISBN13: 9781787383098, 978-1787383098
    ISBN10: 1787383091

    Number of Pages: 352

    Non Fiction , History

    Description

    In early 1900, the paths of three British writers—Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle—crossed in South Africa, during what’s become known as Britain’s last imperial war. Each of the three had pressing personal reasons to leave England behind, but they were also motivated by notions of duty, service, patriotism and, in Kipling's case, jingoism. Sarah LeFanu compellingly opens an unexplored chapter of these writers’ lives, at a turning point for Britain and its imperial ambitions. Was the South African War, as Kipling claimed, a dress rehearsal for the Armageddon of World War One? Or did it instead foreshadow the anti-colonial guerrilla wars of the later twentieth century? Weaving a rich and varied narrative, LeFanu charts the writers’ paths in the theatre of war, and explores how this crucial period shaped their cultural legacies, their shifting reputations, and their influence on colonial policy.

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