Description

Book Synopsis
A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. This title presents the study of ritual and music.

Trade Review

This a stunning piece of scholarship centered around a specific ritual in Western society and Christianity, and the music associated with it. Highly recommended.

* Choice *

[A] ground-breaking and invigorating study. . . [this] study will undoubtedly keep the knowledge of these Offices alive in the minds of musicologists, and of more general readers, for a long time to come.

* Early Music *

This groundbreaking study brings together fascinating facts and materials, varied discussions, and a layered organization of its material in condensed, scholarly, and sophisticated language. It requires some basic knowledge of its subject on the part of its readers. The book will be a valuable addition to any academic and large public library, and constitutes a significant source for academics, scholars, theologians, and musicians interested in details of the Triduum, its ritual, and its music.

* Music Reference Services Quarterly *

Handsomely produced, and accompanied by useful appendixes detailing the contents, verse selections, and modal organizations of selected Holy Week cycles, Singing Jeremiah mines an obscure yet inexhaustibly rich vein of music that expressed profound sentiments of devotion and penance.

* Renaissance Quarterly *

Robert Kendrick has provided the interested reader with a huge amount of information, with great cultural-historical, and not least music-historical perspectives. It is an important book, which takes seriously the idea that liturgical music was also—and remains—theological, cultural, and ritual practice.

* Music and Letters *

Kendrick's command of the complex layers of meaning attached to the ritual and musical performance of Tenebrae cannot fail to impress. Singing Jeremiah is a significant contribution to understanding the richness of early modern Catholicism.

* Church History *

Kendrick's book is essential reading for anyone engaging with the sacred/secular dichotomy in early modern music and the socio-liturgical context of music.

* Notes *

Written in careful musical detail and with an admirable comprehension of the environment in which the music developed, Kenrick's book will be a reliable source for both musicians and liturgical scholars for many years to come.

* Antiphon *

Table of Contents

Acknowledgements
Terminology, Abbreviations, Texts
1. Symbolic Meanings, Sonic Penance
2. Textual Understandings, Musical Expressions
3. Devotion, Models, Circulation, 1550-1600
4. Dynastic Tenebrae
5. Static Rites, Dramatic Music
6. European Tenebrae c. 1680
7. Ad honorem Passionis: Triduum Music and Rational Piety
8. Endings and Continuities
Appendix: Tables 1-4
Notes
Bibliography
Index

Singing Jeremiah

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    Order before 4pm tomorrow for delivery by Wed 8 Jul 2026.

    A Hardback by Robert L. Kendrick

    1 in stock

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      View other formats and editions of Singing Jeremiah by Robert L. Kendrick

      Publisher: Indiana University Press
      Publication Date: 05/05/2014
      ISBN13: 9780253011565, 978-0253011565
      ISBN10: 0253011566

      Description

      Book Synopsis
      A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. This title presents the study of ritual and music.

      Trade Review

      This a stunning piece of scholarship centered around a specific ritual in Western society and Christianity, and the music associated with it. Highly recommended.

      * Choice *

      [A] ground-breaking and invigorating study. . . [this] study will undoubtedly keep the knowledge of these Offices alive in the minds of musicologists, and of more general readers, for a long time to come.

      * Early Music *

      This groundbreaking study brings together fascinating facts and materials, varied discussions, and a layered organization of its material in condensed, scholarly, and sophisticated language. It requires some basic knowledge of its subject on the part of its readers. The book will be a valuable addition to any academic and large public library, and constitutes a significant source for academics, scholars, theologians, and musicians interested in details of the Triduum, its ritual, and its music.

      * Music Reference Services Quarterly *

      Handsomely produced, and accompanied by useful appendixes detailing the contents, verse selections, and modal organizations of selected Holy Week cycles, Singing Jeremiah mines an obscure yet inexhaustibly rich vein of music that expressed profound sentiments of devotion and penance.

      * Renaissance Quarterly *

      Robert Kendrick has provided the interested reader with a huge amount of information, with great cultural-historical, and not least music-historical perspectives. It is an important book, which takes seriously the idea that liturgical music was also—and remains—theological, cultural, and ritual practice.

      * Music and Letters *

      Kendrick's command of the complex layers of meaning attached to the ritual and musical performance of Tenebrae cannot fail to impress. Singing Jeremiah is a significant contribution to understanding the richness of early modern Catholicism.

      * Church History *

      Kendrick's book is essential reading for anyone engaging with the sacred/secular dichotomy in early modern music and the socio-liturgical context of music.

      * Notes *

      Written in careful musical detail and with an admirable comprehension of the environment in which the music developed, Kenrick's book will be a reliable source for both musicians and liturgical scholars for many years to come.

      * Antiphon *

      Table of Contents

      Acknowledgements
      Terminology, Abbreviations, Texts
      1. Symbolic Meanings, Sonic Penance
      2. Textual Understandings, Musical Expressions
      3. Devotion, Models, Circulation, 1550-1600
      4. Dynastic Tenebrae
      5. Static Rites, Dramatic Music
      6. European Tenebrae c. 1680
      7. Ad honorem Passionis: Triduum Music and Rational Piety
      8. Endings and Continuities
      Appendix: Tables 1-4
      Notes
      Bibliography
      Index

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