Description

Book Synopsis
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.

Trade Review
'Give yourself a treat. Give yourself this book.' American Record Guide
'... a magnificent book.' The Times Literary Supplement
'… a storehouse of information, skilfully organised, attractively presented.' BBC Music Magazine

Table of Contents
List of illustrations; Preface; List of abbreviations; Introduction: a living tradition; 1. Musicians attending; 2. Castrati; 3. Women; 4. The coming of a market; 5. Training; 6. Pay; 7. Careers; 8. The age of the tenor; 9. The coming of mass society; Notes; Note on further reading; Index.

Singers of Italian Opera The History of a

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A Paperback by John Rosselli

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    View other formats and editions of Singers of Italian Opera The History of a by John Rosselli

    Publisher: Cambridge University Press
    Publication Date: 3/2/1995 12:00:00 AM
    ISBN13: 9780521426978, 978-0521426978
    ISBN10: 0521426979

    Description

    Book Synopsis
    Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.

    Trade Review
    'Give yourself a treat. Give yourself this book.' American Record Guide
    '... a magnificent book.' The Times Literary Supplement
    '… a storehouse of information, skilfully organised, attractively presented.' BBC Music Magazine

    Table of Contents
    List of illustrations; Preface; List of abbreviations; Introduction: a living tradition; 1. Musicians attending; 2. Castrati; 3. Women; 4. The coming of a market; 5. Training; 6. Pay; 7. Careers; 8. The age of the tenor; 9. The coming of mass society; Notes; Note on further reading; Index.

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