Description
Book SynopsisThis collection of essays explores issues connected to female identities in the early modern English plays set in ancient Rome.
Table of ContentsIntroduction by Domenico Lovascio
"Rome's Rich Ornament": Lavinia, Commoditization and the Senses in William Shakespeare’s Titus Andronicus by Alice Equestri
Blending Motherhoods: Volumnia and the Representation of Maternity in William Shakespeare's Coriolanus by Michela Compagnoni
"Silent, Not as a Foole": William Shakespeare's Roman Women and Early Modern Tropes of Feminine Silence by Maria Elisa Montironi
"Timidae obsequantur": Mothers and Wives in Matthew Gwinne’s Nero by Cristiano Ragni
"Let Me Use All My Pleasures": The Ovidian Courtship of the Emperor’s Daughter in Ben Jonson’s Poetaster by Michele de Benedictis
"Few Wise Women's Honesties": Dialoguing with Roman Women in Ben Jonson’s Roman Plays by Fabio Ciambella
Ben Jonson’s and Thomas May’s "Political Ladies": Forms of Female Political Agency by Angelica Vedelago
Bawds, Wives, and Foreigners: The Question of Female Agency in the Roman Plays of the Fletcher Canon by Domenico Lovascio
"The Beauties of the Time": Roman Women in Philip Massinger’s The Roman Actor by Cristina Paravano
"Poison on, Monsters": Female Poisoners in Early Modern Roman Tragedies by Emanuel Stelzer
Notes on Contributors
Index