Description
Book SynopsisResearching Live Music offers an important contribution to the emergent field of live music studies.
Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland.
Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdi
Table of Contents
List of illustrations
List of contributors
Acknowledgments
Live Music Studies in Perspective
Chris Anderton and Sergio Pisfil
PART I: Promotion
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- Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
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Steve Waksman
- As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
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Danny Hagan
- Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
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Pat O’Grady
- Showcase Festivals as a Gateway to Foreign Markets
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Patryk Galuszka
- Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
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Chris Anderton
PART II: Production
- Live Sound Matters
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Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
- Mobile Spectacle: Es Devlin’s Pandemonium Tour Design
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Glyn Davis
- Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour’s Supply Chain
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Gabrielle Kielich
- Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
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Kimi Kärki
Part III: Consumption
- Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
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Loïc Riom
- Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
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Kenny Forbes
- Live … as You’ve Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
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Andy Bennett
- Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
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Stephen Loy
Part IV: Policy
- Music Cities, or Cities of Music?
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Christina Ballico and Dave Carter
- State of Play: Tensions and Interventions in Live Music Policy
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Adam Behr
- "Por Más Músicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
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Sarah Lahasky
- Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
Gérôme Guibert, Michaël Spanu, and Catherine Rudent
Index
