Description

Book Synopsis
This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as "windows" into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines. The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors. This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.

Trade Review
Reading Asian Art and Artifacts provides an illuminating discussion on the role of arts and material culture in our understanding of Asia in historical times. The examples of arts and artifacts selected exclusively from the collection from various liberal arts colleges in the United States serve as a window to our students to gain an intimate view of the culture, economy, and politics of diverse regional and cultural traditions across Asia. Meanwhile, the collection of those arts and artifacts in the west serves as mirrors to reflect our knowledge and understanding of Asia through time. Written by accomplished scholars and devoted teachers, the text presents an intriguing 'reading' and understanding of the arts, artifacts, and Asian culture from a multi-discipline perspective. -- Yan Sun, associate professor of art history, Gettysburg College

Table of Contents
1 Dedication to Joan O'Mara & Stanley L. Mickel 2 Table of Contents 3 List of Illustrations 4 Foreword 5 Editors' Note 6 Introduction Chapter 7 1. Re-Iconizing Artifacts: Using the Curriculum to Recontextualize Asian Art Chapter 8 2. Making Sense of Material Culture: Multidisciplinary Approaches to Collection Items Chapter 9 3. The Arts of South Asia Chapter 10 4. Tibetan Art Chapter 11 5. Chinese Painting Chapter 12 6. Craftsmanship in Japanese Arts Chapter 13 7. Japanese Prints Chapter 14 8. Are There Decorative Arts in Asia? 15 Appendix A: The ASIANetwork/Luce Asian Arts Consultancy Project 16 Appendix B: Contributors to This Volume 17 Index

Reading Asian Art and Artifacts: Windows to Asia

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A Paperback / softback by Paul Nietupski, Joan O'Mara, Roger T. Ames

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    View other formats and editions of Reading Asian Art and Artifacts: Windows to Asia by Paul Nietupski

    Publisher: Lehigh University Press
    Publication Date: 04/04/2011
    ISBN13: 9781611460711, 978-1611460711
    ISBN10: 1611460719
    Also in:
    Archaeology

    Description

    Book Synopsis
    This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as "windows" into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines. The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors. This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.

    Trade Review
    Reading Asian Art and Artifacts provides an illuminating discussion on the role of arts and material culture in our understanding of Asia in historical times. The examples of arts and artifacts selected exclusively from the collection from various liberal arts colleges in the United States serve as a window to our students to gain an intimate view of the culture, economy, and politics of diverse regional and cultural traditions across Asia. Meanwhile, the collection of those arts and artifacts in the west serves as mirrors to reflect our knowledge and understanding of Asia through time. Written by accomplished scholars and devoted teachers, the text presents an intriguing 'reading' and understanding of the arts, artifacts, and Asian culture from a multi-discipline perspective. -- Yan Sun, associate professor of art history, Gettysburg College

    Table of Contents
    1 Dedication to Joan O'Mara & Stanley L. Mickel 2 Table of Contents 3 List of Illustrations 4 Foreword 5 Editors' Note 6 Introduction Chapter 7 1. Re-Iconizing Artifacts: Using the Curriculum to Recontextualize Asian Art Chapter 8 2. Making Sense of Material Culture: Multidisciplinary Approaches to Collection Items Chapter 9 3. The Arts of South Asia Chapter 10 4. Tibetan Art Chapter 11 5. Chinese Painting Chapter 12 6. Craftsmanship in Japanese Arts Chapter 13 7. Japanese Prints Chapter 14 8. Are There Decorative Arts in Asia? 15 Appendix A: The ASIANetwork/Luce Asian Arts Consultancy Project 16 Appendix B: Contributors to This Volume 17 Index

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