Description

Book Synopsis
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists. Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and respo

Table of Contents
Acknowledgements Notes on the Texts General Introduction Chapter One: Antiquity and the Middle Ages Introduction 1.1. Plato, The Republic 1.2. Aristotle, On The Art Of Poetry 1.3. Horace, The Art of Poetry 1.4. Longinus, On the Sublime 1.5. Evanthius, “On Drama” 1.6. Augustine, “On Stage-plays” Chapter Two: The Early Modern Period Introduction 2.1. Giovan Battista Giraldi Cinthio, Discourse or Letter on the Composition of Comedies and Tragedies 2.2. Lodovico Castelvetro, The Poetics of Aristotle 2.3. Stephen Gosson, Plays Confuted in Five Actions 2.4. Philip Sidney, Defense of Poetry 2.5. Thomas Heywood, The Apology for Actors 2.6. Pierre Corneille, from Three Discourses on Dramatic Poetry 2.7. John Milton, “Of That Sort of Dramatic Poem Which is Called Tragedy” 2.8. René Rapin, Reflections on Aristotle’s Treatise of Poesie 2.9. John Dryden, “The Grounds of Criticism in Tragedy” Chapter Three: The Eighteenth Century Introduction 3.1. Joseph Addison and Richard Steele, The Spectator 3.2. George Lillo, “The Dedication” and “Prologue” to The London Merchant 3.3. David Hume, “Of Tragedy” 3.4. Edmund Burke, “Sympathy,” “Of the Effects of Tragedy” and “The Sublime” 3.5. Jean-Jacques Rousseau, Letter to M. D’Alembert On the Theatre 3.6. Samuel Johnson, “Preface to Shakespeare” 3.7. Voltaire, "Letter XVIII. On Tragedy" 3.8. Elizabeth Montagu, An Essay on the Writings and Genius of Shakespear 3.9 Joanna Baillie, “Introductory Discourse” Chapter Four: The Nineteenth Century Introduction 4.1. August Wilhelm Schlegel, A Course of Lectures on Dramatic Art and Literature 4.2. Charles Lamb, “On the Tragedies of Shakespeare Considered with Reference for Their Fitness for Stage Representation” 4.3. William Hazlitt, Characters of Shakespeare’s Plays 4.4. Percy Bysshe Shelley, A Defence of Poetry 4.5. Arthur Schopenhauer, The World as Will and Representation 4.6. G.W.F. Hegel, Aesthetics: Lectures on Fine Art 4.7. George Eliot, “The Antigone and its Moral” 4.8. Friedrich Nietzsche, The Birth of Tragedy Chapter Five: 1900 to 1968 Introduction 5.1. Sigmund Freud, from The Interpretation of Dreams 5.2. A.C. Bradley, Shakespearean Tragedy 5.3. William Butler Yeats, “The Tragic Theatre” 5.4. Virginia Woolf, “On Not Knowing Greek” 5.5. Bertolt Brecht, “A Short Organum for the Theatre” 5.6. Robert Warshow, “The Gangster as Tragic Hero” 5.7. George Steiner, Death of Tragedy 5.8. Raymond Williams, “Tragedy and Revolution” 5.9. Athol Fugard, “On A View from the Bridge” Chapter Six: Post-1968 Introduction 6.1 Augusto Boal, from The Theatre of the Oppressed 6.2. René Girard, “The Sacrificial Crisis” 6.3. Joseph Meeker, “Literary Tragedy and Ecological Catastrophe” 6.4. Catherine Belsey, The Subject of Tragedy 6.5. Biodun Jeyifo, “Tragedy, History and Ideology” 6.6. Nicole Loraux, The Rope and the Sword 6.7. Hélène Cixous, “Enter the Theatre (in between)” 6.8. Judith Butler, “Promiscuous Obedience” 6.9. Martha Nussbaum, “The ‘Morality of Pity’” 6.10. David Scott, Conscripts of Modernity Permissions Acknowledgements Supplementary Reading Index

Reader in Tragedy

Product form

£33.24

Includes FREE delivery

RRP £34.99 – you save £1.75 (5%)

Order before 4pm today for delivery by Fri 27 Mar 2026.

A Paperback / softback by Marcus Nevitt, Tanya Pollard

1 in stock


    View other formats and editions of Reader in Tragedy by Marcus Nevitt

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 07/02/2019
    ISBN13: 9781474270427, 978-1474270427
    ISBN10: 1474270425
    Also in:
    Theatre studies

    Description

    Book Synopsis
    This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists. Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and respo

    Table of Contents
    Acknowledgements Notes on the Texts General Introduction Chapter One: Antiquity and the Middle Ages Introduction 1.1. Plato, The Republic 1.2. Aristotle, On The Art Of Poetry 1.3. Horace, The Art of Poetry 1.4. Longinus, On the Sublime 1.5. Evanthius, “On Drama” 1.6. Augustine, “On Stage-plays” Chapter Two: The Early Modern Period Introduction 2.1. Giovan Battista Giraldi Cinthio, Discourse or Letter on the Composition of Comedies and Tragedies 2.2. Lodovico Castelvetro, The Poetics of Aristotle 2.3. Stephen Gosson, Plays Confuted in Five Actions 2.4. Philip Sidney, Defense of Poetry 2.5. Thomas Heywood, The Apology for Actors 2.6. Pierre Corneille, from Three Discourses on Dramatic Poetry 2.7. John Milton, “Of That Sort of Dramatic Poem Which is Called Tragedy” 2.8. René Rapin, Reflections on Aristotle’s Treatise of Poesie 2.9. John Dryden, “The Grounds of Criticism in Tragedy” Chapter Three: The Eighteenth Century Introduction 3.1. Joseph Addison and Richard Steele, The Spectator 3.2. George Lillo, “The Dedication” and “Prologue” to The London Merchant 3.3. David Hume, “Of Tragedy” 3.4. Edmund Burke, “Sympathy,” “Of the Effects of Tragedy” and “The Sublime” 3.5. Jean-Jacques Rousseau, Letter to M. D’Alembert On the Theatre 3.6. Samuel Johnson, “Preface to Shakespeare” 3.7. Voltaire, "Letter XVIII. On Tragedy" 3.8. Elizabeth Montagu, An Essay on the Writings and Genius of Shakespear 3.9 Joanna Baillie, “Introductory Discourse” Chapter Four: The Nineteenth Century Introduction 4.1. August Wilhelm Schlegel, A Course of Lectures on Dramatic Art and Literature 4.2. Charles Lamb, “On the Tragedies of Shakespeare Considered with Reference for Their Fitness for Stage Representation” 4.3. William Hazlitt, Characters of Shakespeare’s Plays 4.4. Percy Bysshe Shelley, A Defence of Poetry 4.5. Arthur Schopenhauer, The World as Will and Representation 4.6. G.W.F. Hegel, Aesthetics: Lectures on Fine Art 4.7. George Eliot, “The Antigone and its Moral” 4.8. Friedrich Nietzsche, The Birth of Tragedy Chapter Five: 1900 to 1968 Introduction 5.1. Sigmund Freud, from The Interpretation of Dreams 5.2. A.C. Bradley, Shakespearean Tragedy 5.3. William Butler Yeats, “The Tragic Theatre” 5.4. Virginia Woolf, “On Not Knowing Greek” 5.5. Bertolt Brecht, “A Short Organum for the Theatre” 5.6. Robert Warshow, “The Gangster as Tragic Hero” 5.7. George Steiner, Death of Tragedy 5.8. Raymond Williams, “Tragedy and Revolution” 5.9. Athol Fugard, “On A View from the Bridge” Chapter Six: Post-1968 Introduction 6.1 Augusto Boal, from The Theatre of the Oppressed 6.2. René Girard, “The Sacrificial Crisis” 6.3. Joseph Meeker, “Literary Tragedy and Ecological Catastrophe” 6.4. Catherine Belsey, The Subject of Tragedy 6.5. Biodun Jeyifo, “Tragedy, History and Ideology” 6.6. Nicole Loraux, The Rope and the Sword 6.7. Hélène Cixous, “Enter the Theatre (in between)” 6.8. Judith Butler, “Promiscuous Obedience” 6.9. Martha Nussbaum, “The ‘Morality of Pity’” 6.10. David Scott, Conscripts of Modernity Permissions Acknowledgements Supplementary Reading Index

    Recently viewed products

    © 2026 Book Curl

      • American Express
      • Apple Pay
      • Diners Club
      • Discover
      • Google Pay
      • Maestro
      • Mastercard
      • PayPal
      • Shop Pay
      • Union Pay
      • Visa

      Login

      Forgot your password?

      Don't have an account yet?
      Create account