Description

Book Synopsis

In Austrian economic thought, “human action” guides all social and cultural experience. For both the real world and for fictional texts, this starting point can illuminate literature in new ways and offer valuable insight for literary critics who have previously been beholden to Marxism and other anti-capitalist perspectives. In Re-Reading Economics in Literature: A Capitalist Critical Perspective, Matt Spivey posits that in its relationship to literature, Austrian economic criticism entails a methodology that embraces the following: 1) an analytical reading that promotes both the individual artist as the creator of literature and the individual reader as the consumer of literature; 2) an understanding of the entrepreneurial quality of literature, that capitalism is a system that embraces creativity and evolution in the marketplace; and 3) a recognition of subjective value as fundamental to human choice and action, both in art and in the real world. In addition to the study of the individual, Spivey also incorporates the concepts of business cycles, government intervention, social dynamics, and technological evolution in his analysis. Scholars of literary studies and economics will find this book particularly useful.



Table of Contents

Introduction

1: The Austrian School of Economic Literary Criticism

2: The Power of Human Capital in Frederick Douglass’s Narrative

3: Gatsby, Daisy, and the Austrian Business Cycle

4: “The Monster’s Sick”: Rural Economics in The Grapes of Wrath

5: Bigger’s World: Urban Economics in Native Son

6: Rage Against the Machine: Kurt Vonnegut’s Player Piano

Conclusion

Works Cited

Re-Reading Economics in Literature: A Capitalist

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    A Hardback by Matt Spivey

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      View other formats and editions of Re-Reading Economics in Literature: A Capitalist by Matt Spivey

      Publisher: Lexington Books
      Publication Date: 30/09/2020
      ISBN13: 9781793634474, 978-1793634474
      ISBN10: 1793634475

      Description

      Book Synopsis

      In Austrian economic thought, “human action” guides all social and cultural experience. For both the real world and for fictional texts, this starting point can illuminate literature in new ways and offer valuable insight for literary critics who have previously been beholden to Marxism and other anti-capitalist perspectives. In Re-Reading Economics in Literature: A Capitalist Critical Perspective, Matt Spivey posits that in its relationship to literature, Austrian economic criticism entails a methodology that embraces the following: 1) an analytical reading that promotes both the individual artist as the creator of literature and the individual reader as the consumer of literature; 2) an understanding of the entrepreneurial quality of literature, that capitalism is a system that embraces creativity and evolution in the marketplace; and 3) a recognition of subjective value as fundamental to human choice and action, both in art and in the real world. In addition to the study of the individual, Spivey also incorporates the concepts of business cycles, government intervention, social dynamics, and technological evolution in his analysis. Scholars of literary studies and economics will find this book particularly useful.



      Table of Contents

      Introduction

      1: The Austrian School of Economic Literary Criticism

      2: The Power of Human Capital in Frederick Douglass’s Narrative

      3: Gatsby, Daisy, and the Austrian Business Cycle

      4: “The Monster’s Sick”: Rural Economics in The Grapes of Wrath

      5: Bigger’s World: Urban Economics in Native Son

      6: Rage Against the Machine: Kurt Vonnegut’s Player Piano

      Conclusion

      Works Cited

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