Description

WINNER OF THE 2021 PULITZER PRIZE IN POETRY

SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION
SHORTLISTED FOR THE T. S. ELIOT PRIZE
POETRY BOOK SOCIETY RECOMMENDATION

Postcolonial Love Poem
is a thunderous river of a book, an anthem of desire against erasure. It demands that every body carried in its pages - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips' silvered percussion, a thigh's red-gold geometry, the emerald tigers that leap in a throat. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Natalie Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves. Her poetry questions what kind of future we might create, built from the choices we make now - how we might learn our own cures and 'go where there is love'.

Postcolonial Love Poem

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£12.99

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Paperback / softback by Natalie Diaz

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WINNER OF THE 2021 PULITZER PRIZE IN POETRYSHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTIONSHORTLISTED FOR THE T. S. ELIOT... Read more

    Publisher: Faber & Faber
    Publication Date: 16/07/2020
    ISBN13: 9780571359868, 978-0571359868
    ISBN10: 0571359868

    Number of Pages: 128

    Fiction , Poetry

    Description

    WINNER OF THE 2021 PULITZER PRIZE IN POETRY

    SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION
    SHORTLISTED FOR THE T. S. ELIOT PRIZE
    POETRY BOOK SOCIETY RECOMMENDATION

    Postcolonial Love Poem
    is a thunderous river of a book, an anthem of desire against erasure. It demands that every body carried in its pages - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips' silvered percussion, a thigh's red-gold geometry, the emerald tigers that leap in a throat. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

    Natalie Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves. Her poetry questions what kind of future we might create, built from the choices we make now - how we might learn our own cures and 'go where there is love'.

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