Description
Book SynopsisApophasis has become a major topic in the humanities, particularly in philosophy, religion, and literature. This monumental two-volume anthology gathers together most of the important historical works on apophaticism and illustrates the diverse trajectories of apophatic discourse in ancient, modern, and postmodern times. William Franke provides a major introductory essay on apophaticism at the beginning of each volume, and shorter introductions to each anthology selection. The second volume, Modern and Contemporary Transformations, contains texts by Hölderlin, Schelling, Kierkegaard, Dickinson, Rilke, Kafka, Rosenzweig, Wittgenstein, Heidegger, Weil, Schoenberg, Adorno, Beckett, Celan, Levinas, Derrida, Marion, and more.
Trade Review“One of the most important and original contributions to the discussion of apophasis in recent years. . . . Franke’s historical and disciplinary range, in light of his well-written and compelling essays, provides an illuminating insight into the pervasiveness of apophatic discourse. . . . Franke’s anthology is a resource which should not be ignored. Few others, maybe no others, provide the same clarity, coherence, and scope.” —Christianity and Literature
“The genius of Franke’s two-volume critical anthology on apophatic discourses is the work’s breadth and depth of engagement with the concept in variously distinct and even conflicting contexts. . . . Franke manages his sweeping and inclusive exploration of apophatic discourses by identifying a thematic lens for selecting his sources as part of a larger, conceptually-rooted genre of discourse. . . . The greatest strength of Franke’s two-volume collection resides in the sheer fact that nothing like it exists.” —Essays in Philosophy
“The second volume, stretching from Holderlin to Jean-Luc Marion, provides readings from sources as diverse as Schelling, Dickinson, Kafka, Wittgenstein, John Cage, and Maurice Blanchot. . . . Franke observes that these modern and contemporary apophatic currents, as ra dical as they truly are, are nevertheless thoroughly indebted to the 'ancient theological matrices' out of which they indirectly (or not so indirectly) spring. . . . I recommend these two volumes as essential reading for philosophers, theologians, literary scholars, intellectual historians, critical theorists—in short, anyone interested in an illuminating and vital perspective on just about any facet of Western arts and letters." —Religion and Literature
