Description

Book Synopsis
Sidney''s Defence of Poesy--the foundational text of English poetics--is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct and readers are inspired to imitate them. Catherine Bates sets out to challenge this received view. Attending very closely to Sidney''s text, she identifies within it a model of poetry that is markedly at variance from the one presumed, and shows Sidney''s text to be feeling its way toward a quite different--indeed, a de-idealist--poetics. Following key theorists of the new economic criticism, On Not Defending Poetry shows how idealist poetics, like the idealist philosophy on which it draws, is complicit with the money form and with the specific ills that attend upon it: among them, commodification, fetishism, and the abuse of power. Against culturally approved models of poetry as profitableas benefiting the individual and the state, as providing (in the form of intellectual, moral, and social capital) a quantifiable yieldthe Defence reveals an unexpected counter-argument: one in which poetry is modelled, rather, as pure expenditure, a free gift, a net loss. Where a supposedly idealist Defence sits oddly with Sidney''s literary writingswhich depict human behaviour that is very far from ideala de-idealist Defence does not. In its radical reading of the Defence, this book thus makes a decisive intervention in the field of early modern studies, while raising larger questions about a culture determined to quantify the ''value'' of the humanities and to defend the arts on those grounds alone.

Trade Review
...wittily titled and thoroughly contrary...This is a fine book....In one sense, Bates has written perhaps the first book in defence of Sidney's defence...Yet her ingenious buttressing of the Defence's weak spots comes under the guise of an attack...If this constitutes a paradox, it is...the kind of paradox that Sidney might, despite himself, have admired. * Robert Stagg, Times Literary Supplement *
On Not Defending Poetry also represents something of a theoretical departure for scholarship on Sidney's Defence....by adopting a 'deconstructionist approach' akin to that of Fredric Jameson, Bates steers away from the trend set by recent scholars who have adhered to the New Historicist methodologies pioneered by the likes of Stephen Greenblatt. * Richard Wood, The English Association *
Deeply learned ... an indispensable book. * Studies in English Literature: 1500-1900 *

Table of Contents
Part One: The Poet's Golden World I: Poetry is Profitless II: Poetry is Profitable III: Poetry is Profitless Part Two: The Counterfeiter I: Poetry Lies II: Lies are Profitable III: Lies are Profitless IV: Poetry is Profitless V: Poetry is Free The Empty Chest I: Poetry Abuses II: Poetry is Useful III: Poetry is Abused Bibliography Index

On Not Defending Poetry Defence and

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A Paperback / softback by Catherine Bates


    View other formats and editions of On Not Defending Poetry Defence and by Catherine Bates

    Publisher: Oxford University Press
    Publication Date: 28/10/2021
    ISBN13: 9780192856340, 978-0192856340
    ISBN10: 0192856340

    Description

    Book Synopsis
    Sidney''s Defence of Poesy--the foundational text of English poetics--is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct and readers are inspired to imitate them. Catherine Bates sets out to challenge this received view. Attending very closely to Sidney''s text, she identifies within it a model of poetry that is markedly at variance from the one presumed, and shows Sidney''s text to be feeling its way toward a quite different--indeed, a de-idealist--poetics. Following key theorists of the new economic criticism, On Not Defending Poetry shows how idealist poetics, like the idealist philosophy on which it draws, is complicit with the money form and with the specific ills that attend upon it: among them, commodification, fetishism, and the abuse of power. Against culturally approved models of poetry as profitableas benefiting the individual and the state, as providing (in the form of intellectual, moral, and social capital) a quantifiable yieldthe Defence reveals an unexpected counter-argument: one in which poetry is modelled, rather, as pure expenditure, a free gift, a net loss. Where a supposedly idealist Defence sits oddly with Sidney''s literary writingswhich depict human behaviour that is very far from ideala de-idealist Defence does not. In its radical reading of the Defence, this book thus makes a decisive intervention in the field of early modern studies, while raising larger questions about a culture determined to quantify the ''value'' of the humanities and to defend the arts on those grounds alone.

    Trade Review
    ...wittily titled and thoroughly contrary...This is a fine book....In one sense, Bates has written perhaps the first book in defence of Sidney's defence...Yet her ingenious buttressing of the Defence's weak spots comes under the guise of an attack...If this constitutes a paradox, it is...the kind of paradox that Sidney might, despite himself, have admired. * Robert Stagg, Times Literary Supplement *
    On Not Defending Poetry also represents something of a theoretical departure for scholarship on Sidney's Defence....by adopting a 'deconstructionist approach' akin to that of Fredric Jameson, Bates steers away from the trend set by recent scholars who have adhered to the New Historicist methodologies pioneered by the likes of Stephen Greenblatt. * Richard Wood, The English Association *
    Deeply learned ... an indispensable book. * Studies in English Literature: 1500-1900 *

    Table of Contents
    Part One: The Poet's Golden World I: Poetry is Profitless II: Poetry is Profitable III: Poetry is Profitless Part Two: The Counterfeiter I: Poetry Lies II: Lies are Profitable III: Lies are Profitless IV: Poetry is Profitless V: Poetry is Free The Empty Chest I: Poetry Abuses II: Poetry is Useful III: Poetry is Abused Bibliography Index

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