Description

Book Synopsis

Northern Getaway investigates the connections between film and tourism of the 1890s through the 1950s. Using evidence from archival sources and current scholarship in film history and tourism studies, Dominique Brégent-Heald demonstrates that Canada was an innovator in employing film to project a recognizable destination brand.



Trade Review

“Northern Getaway makes an extremely compelling case that pre-1939 Canadian cinema was part of the vanguard that harnessed the potential of motion pictures in the service of tourism promotion, subtly weaving a new narrative of relations between Canadian and American interests during the era in question. The result is frankly quite a profound reframing of Canadian film history, rescuing it from its common perception as a stunted branch-plant industry merely serving American interests.” Peter Lester, Brock University

Northern Getaway Film Tourism and the Canadian

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A Paperback / softback by Dominique Brégent-Heald

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    View other formats and editions of Northern Getaway Film Tourism and the Canadian by Dominique Brégent-Heald

    Publisher: McGill-Queen's University Press
    Publication Date: 15/10/2022
    ISBN13: 9780228013938, 978-0228013938
    ISBN10: 0228013933
    Also in:
    Earth Sciences, Geography & Environment Tourism geography Film history, theory or criticism

    Description

    Book Synopsis

    Northern Getaway investigates the connections between film and tourism of the 1890s through the 1950s. Using evidence from archival sources and current scholarship in film history and tourism studies, Dominique Brégent-Heald demonstrates that Canada was an innovator in employing film to project a recognizable destination brand.



    Trade Review

    “Northern Getaway makes an extremely compelling case that pre-1939 Canadian cinema was part of the vanguard that harnessed the potential of motion pictures in the service of tourism promotion, subtly weaving a new narrative of relations between Canadian and American interests during the era in question. The result is frankly quite a profound reframing of Canadian film history, rescuing it from its common perception as a stunted branch-plant industry merely serving American interests.” Peter Lester, Brock University

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