Description

Book Synopsis

Situated on Europe’s northern periphery, Denmark, Finland, Iceland, Norway, and Sweden found themselves caught between warring powers during World War II. Ultimately, these nations survived the conflict as sovereign states whose wartime experiences have profoundly shaped their historiography, literature, cinema and memory cultures. Nordic War Stories explores the commonalities and divergences among the five Nordic countries, examining national historiographies alongside representations of the war years in canonical literary works, travel writing, and film media. Together, they comprise a valuable companion that challenges the myth of Scandinavian homogeneity while demonstrating the powerful influence that the war continues to exert on national identities.



Trade Review

“"As a whole, this is an interesting anthology that participates in opening a very fertile area of research. Its comparative approach brings many new elements into play that can contribute positively to the national approaches of previous studies” • Edda

“The volume makes an important contribution to understanding how the mass media in particular shaped the (nation-state) memory of the Second World War in a region of Europe that is mostly out of focus.” • Clio-Online

“The Nordic nations all had different and contrasting experiences of the Second World War. Not only did this condition the memories of contemporaries, but it also led to different ways of portraying the wartime experience that would lead to creating and sustaining both existing and new memories for ensuing generations. This book contains excellent accounts of how this work of memory was done in the five nations and it continues to influence their societies today. There is much for cultural historians to value in this volume, but international historians will also find a plentiful amount to add to their understanding of not only the Second World War but of the decades that followed.” • History

“The fascinating chapters in Nordic War Stories reveal the vastly different fates of the five Nordic countries concerning occupation, resistance, neutrality and engagement.” • Marianne N. Soleim, The Arctic University of Norway



Table of Contents

List of Illustrations
Editor’s Acknowledgements

Editor’s Introduction
Marianne Stecher-Hansen

Part I: War Historiography

Chapter 1. Finland in World War II—Tragedy, Survival, and Good Wars
Juhana H. Aunesluoma

Chapter 2. Danish Historical Narratives of the Occupation—The Promises and Lies of April 9th
Sofie Lene Bak

Chapter 3. The Norwegian War Experience—Occupied and Allied
Tom Kristiansen

Chapter 4. The Icelandic National Narrative and World War II—“Freedom and Culture”
Guðmundur Hálfdanarson

Chapter 5. Sweden’s Ambiguous War—Contradiction and Controversy
John Gilmour

Part II: War Literature – Archive

Chapter 6. Karin Boye as Ambivalent Spectator of Fascism
Amanda Doxtater

Chapter 7. Isak Dinesen in Hitler’s Berlin—Neutrality’s Cloak in “Letters from a Land at War”
Marianne Stecher-Hansen

Chapter 8. Sigrid Undset’s Problematic Propaganda – The Call for Democracy in Return to the Future
Christine Hamm

Part III: War Literature – Canon

Chapter 9. Hans Christian Branner—Angst and the Existential Crisis of War in Denmark
Mark Mussari

Chapter 10. Crises of Memory in Norway’s Occupation Novel—Sigurd Hoel’s Meeting at the Milestone
Dean Krouk

Chapter 11. The Battle over Finnish Cultural Memory of War—Väinö Linna’s The Unknown Soldier
Julia Pajunen

Chapter 12. Investigating Sweden’s Postwar Neutrality—Ethics in Per Olov Enquist’s The Legionnaires
Jan Krogh Nielsen

Chapter 13. The Allied Occupation of Iceland—Indriði G. Þorsteinsson’s North of War
Daisy Neijmann

Part IV: War Cinema – Remembering and Forgetting

Chapter 14. Somewhere in Sweden – Quality Fiction and Popularized History in the World War II Television Series
Erik Hedling

Chapter 15. Icelandic Cinema and the American Military Presence – The Girl Gogo, Atomic Station, and Devil’s Island
Pétur Valsson

Chapter 16. War Memory, Compassion, and the Finnish Child – Klaus Härö’s Mother of Mine
Liina-Ly Roos

Chapter 17. The War Film as Cultural Memory in Denmark – April 9th and Land of Mine
Marianne Stecher-Hansen

Chapter 18. Acts of Remembering – Audiovisual Memory and the New Norwegian Occupation Drama
Gunnar Iversen

Chapter 19. Finland Returning to War on Screen – The Unknown Soldier of 2017
John Sundholm

Editor’s Epilogue
Marianne Stecher-Hansen

Index

Nordic War Stories: World War II as History,

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    A Hardback by Marianne Stecher-Hansen

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      Publisher: Berghahn Books
      Publication Date: 03/02/2021
      ISBN13: 9781789209617, 978-1789209617
      ISBN10: 1789209617

      Description

      Book Synopsis

      Situated on Europe’s northern periphery, Denmark, Finland, Iceland, Norway, and Sweden found themselves caught between warring powers during World War II. Ultimately, these nations survived the conflict as sovereign states whose wartime experiences have profoundly shaped their historiography, literature, cinema and memory cultures. Nordic War Stories explores the commonalities and divergences among the five Nordic countries, examining national historiographies alongside representations of the war years in canonical literary works, travel writing, and film media. Together, they comprise a valuable companion that challenges the myth of Scandinavian homogeneity while demonstrating the powerful influence that the war continues to exert on national identities.



      Trade Review

      “"As a whole, this is an interesting anthology that participates in opening a very fertile area of research. Its comparative approach brings many new elements into play that can contribute positively to the national approaches of previous studies” • Edda

      “The volume makes an important contribution to understanding how the mass media in particular shaped the (nation-state) memory of the Second World War in a region of Europe that is mostly out of focus.” • Clio-Online

      “The Nordic nations all had different and contrasting experiences of the Second World War. Not only did this condition the memories of contemporaries, but it also led to different ways of portraying the wartime experience that would lead to creating and sustaining both existing and new memories for ensuing generations. This book contains excellent accounts of how this work of memory was done in the five nations and it continues to influence their societies today. There is much for cultural historians to value in this volume, but international historians will also find a plentiful amount to add to their understanding of not only the Second World War but of the decades that followed.” • History

      “The fascinating chapters in Nordic War Stories reveal the vastly different fates of the five Nordic countries concerning occupation, resistance, neutrality and engagement.” • Marianne N. Soleim, The Arctic University of Norway



      Table of Contents

      List of Illustrations
      Editor’s Acknowledgements

      Editor’s Introduction
      Marianne Stecher-Hansen

      Part I: War Historiography

      Chapter 1. Finland in World War II—Tragedy, Survival, and Good Wars
      Juhana H. Aunesluoma

      Chapter 2. Danish Historical Narratives of the Occupation—The Promises and Lies of April 9th
      Sofie Lene Bak

      Chapter 3. The Norwegian War Experience—Occupied and Allied
      Tom Kristiansen

      Chapter 4. The Icelandic National Narrative and World War II—“Freedom and Culture”
      Guðmundur Hálfdanarson

      Chapter 5. Sweden’s Ambiguous War—Contradiction and Controversy
      John Gilmour

      Part II: War Literature – Archive

      Chapter 6. Karin Boye as Ambivalent Spectator of Fascism
      Amanda Doxtater

      Chapter 7. Isak Dinesen in Hitler’s Berlin—Neutrality’s Cloak in “Letters from a Land at War”
      Marianne Stecher-Hansen

      Chapter 8. Sigrid Undset’s Problematic Propaganda – The Call for Democracy in Return to the Future
      Christine Hamm

      Part III: War Literature – Canon

      Chapter 9. Hans Christian Branner—Angst and the Existential Crisis of War in Denmark
      Mark Mussari

      Chapter 10. Crises of Memory in Norway’s Occupation Novel—Sigurd Hoel’s Meeting at the Milestone
      Dean Krouk

      Chapter 11. The Battle over Finnish Cultural Memory of War—Väinö Linna’s The Unknown Soldier
      Julia Pajunen

      Chapter 12. Investigating Sweden’s Postwar Neutrality—Ethics in Per Olov Enquist’s The Legionnaires
      Jan Krogh Nielsen

      Chapter 13. The Allied Occupation of Iceland—Indriði G. Þorsteinsson’s North of War
      Daisy Neijmann

      Part IV: War Cinema – Remembering and Forgetting

      Chapter 14. Somewhere in Sweden – Quality Fiction and Popularized History in the World War II Television Series
      Erik Hedling

      Chapter 15. Icelandic Cinema and the American Military Presence – The Girl Gogo, Atomic Station, and Devil’s Island
      Pétur Valsson

      Chapter 16. War Memory, Compassion, and the Finnish Child – Klaus Härö’s Mother of Mine
      Liina-Ly Roos

      Chapter 17. The War Film as Cultural Memory in Denmark – April 9th and Land of Mine
      Marianne Stecher-Hansen

      Chapter 18. Acts of Remembering – Audiovisual Memory and the New Norwegian Occupation Drama
      Gunnar Iversen

      Chapter 19. Finland Returning to War on Screen – The Unknown Soldier of 2017
      John Sundholm

      Editor’s Epilogue
      Marianne Stecher-Hansen

      Index

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