Description

Book Synopsis

Irish author (Eleanor) Norah Hoult (1898–1984) travelled in prominent literary circles and corresponded actively with some of the leading Irish authors of the early twentieth century, including James Stephens, Brigid Brophy, Sean O’Casey and Sean O’Faolain. Despite her reputation and a forty-four year publishing career, Hoult’s oeuvre remains surprisingly neglected. This edition seeks to rectify that critical oversight by introducing Hoult’s short story collection ‘Poor Women!’ to a new generation of readers. Hoult is often compared to writers such as Kate O’Brien and Edna O’Brien for her representations of the oppressive facets of Catholicism. Less explored is her engagement with emotional paralysis and her detailed representations of widowhood and urban settings, inviting comparison to literary giants James Joyce and Mary Lavin. These similarities offer venues for further study.



Table of Contents

Acknowledgements; Introduction; 1. Poor Women!; 2. Mary, Pity Women!; 3. Notes on the Text; Appendix

Norah Hoult’s ‘Poor Women!’: A Critical Edition

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    A Hardback by Kathleen P. Costello-Sullivan

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      View other formats and editions of Norah Hoult’s ‘Poor Women!’: A Critical Edition by Kathleen P. Costello-Sullivan

      Publisher: Anthem Press
      Publication Date: Publication Date: 01/12/2016
      ISBN13: 9781783085880, 978-1783085880
      ISBN10: 1783085886

      Description

      Book Synopsis

      Irish author (Eleanor) Norah Hoult (1898–1984) travelled in prominent literary circles and corresponded actively with some of the leading Irish authors of the early twentieth century, including James Stephens, Brigid Brophy, Sean O’Casey and Sean O’Faolain. Despite her reputation and a forty-four year publishing career, Hoult’s oeuvre remains surprisingly neglected. This edition seeks to rectify that critical oversight by introducing Hoult’s short story collection ‘Poor Women!’ to a new generation of readers. Hoult is often compared to writers such as Kate O’Brien and Edna O’Brien for her representations of the oppressive facets of Catholicism. Less explored is her engagement with emotional paralysis and her detailed representations of widowhood and urban settings, inviting comparison to literary giants James Joyce and Mary Lavin. These similarities offer venues for further study.



      Table of Contents

      Acknowledgements; Introduction; 1. Poor Women!; 2. Mary, Pity Women!; 3. Notes on the Text; Appendix

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