Description

Book Synopsis

In March 2020, the COVID-19 pandemic swept the world causing physical, emotional, economic, and social upheaval in every part of the globe. It also catalyzed a renewed interrogation, by music education faculty in higher education, of philosophies and practices that had long gone unexamined.

Music Education on the Verge: Stories of Pandemic Teaching and Transformative Change is a collection of narratives by music teacher-educators describing how they responded to the disruption of the COVID-19 pandemic with, and for, their students. Through these stories, the authors step back and reflect on the events, challenges, triumphs, and innovations discovered as they prepared the next generation of music educators in this time of crisis. They tell stories of reexamining old frameworks, discovering new affordances of technologies, humanizing pedagogy, deepening culturally responsive and sustaining experiences, and creating space for democratic practices. Each chapter offers examples of innovative music pedagogy that can be adapted and applied by music educators and music teacher educators with their students. Collectively, they paint a picture of possibilities, challenging music teacher-educators— and educators in all fields— to seek out openings and pursue pedagogies of change as we move forward into a post-pandemic world.



Trade Review

In this deeply complicated and emotionally charged discipline of music teaching and learning, once in a while a book comes along that touches the very soul of what we do. Maas and Lewis have expertly edited and contributed to a collection of reflections about what really matters. Sad that it took a world pandemic to prompt these kinds of meaningful perspectives and stories of bravery and creativeness but thrilling to know how our profession responded. This book provides the chance to, indeed, imagine spaces becoming wider, new paths emerging, and a set of achievements that mark a new era for music and its meaning in our lives.

-- Peter R. Webster, Thornton School of Music, University of Southern California

Music Education During Crisis is a testament to music educators' dedication to supporting students and the ability to adapt in the context of a global pandemic. The specific pedagogical and curricular approaches that authors share are valuable in and of themselves, yet it is the intimacy of witnessing our colleagues' journeys, challenges, and processes of transforming curriculum and practice that invites us to pause and reflect on possibilities in our own contexts. These stories of pivots in technology, community, and roles as learners and educators are not just lessons learned through finding ways of being and teaching during COVID-19 but catalysts to reconsider what music learning and teaching might be as we move now and in the future.

-- Evan Tobias, Arizona State University

Table of Contents

List of Figures

Foreword

Randall Everett Allsup

Prologue

Judy Lewis and Andrea Maas

Acknowledgments

Part I: Flint Stones and Foundational Frameworks

Chapter One: Reflecting on Pandemic Teaching and Technology

Emmett James O’Leary

Chapter Two: A Thriving Form of Communication: Understanding Chat Within an Online Discussion-based Course

Sheelagh Chadwick

Chapter Three: Discovering Potential in a Pandemic: Performing, Responding, Connecting, and Creating in Instrumental Music Teaching

Jonathan G. Schaller

Chapter Four: The Digital Audio Workstation in the Aural Skills Classroom: Using Reason as a Tool for Dictation Practice

Jerod Sommerfeldt

Chapter Five: Sound Learning: The Pedagogical Pivots of Teaching Artists

Michelle Amosu Thomas, Michelle Mercier-De Shon, Patrick K. Freer, and Luiz Barcellos

In Dialogue: Letters Across the Pond

Marsha Baxter and Marie Louise Bowe

Part II: Culture, Care, and Community Hearths

Chapter Six: Reclaiming the Musical Kauhale: Kanikapila and Mo’Olelo a Choral Curriculum

Jace Kaholokula Saplan

Chapter Seven: The Playlist Project: Exploring Culturally Responsive Practices Through Online Learning

Tamara T. Thies

Chapter Eight: Learning to Be Human: The Art of Care, Compassion, and Empathy in Music Education

Nicholas Ryan McBride

Chapter Nine: From Wide Roots to Connected Branches: Perspectives on Early Childhood Music Education Across Brazil During the Pandemic.

Tiago Madalozzo, Vivian Agnolo Madalozzo, Angelita Vander Broock, Regiana Blank Wille

In Dialogue: The Courage to Change—A Dialogue of Experience

William L. Lake Jr. and Albert R. Lee

Part III: Democracy and Dumpster Fires

Chapter Ten: Remodeling Choral Experiences: Historic Preservation or Gut-Job Renovation?

Andrea Maas

Chapter Eleven: Curating Open Spaces: Digital Learning and Democratic Pedagogy

Judy Lewis

Chapter Twelve: Choir Disrupted

Nils Klykken

Epilogue: Transformative Change and Music Teacher Education

Andrea Maas and Judy Lewis

Appendix

About the Contributors

Music Education on the Verge: Stories of Pandemic

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Order before 4pm tomorrow for delivery by Mon 5 Jan 2026.

A Hardback by Judy Lewis, Andrea Maas, Randall Everett Allsup

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    View other formats and editions of Music Education on the Verge: Stories of Pandemic by Judy Lewis

    Publisher: Lexington Books
    Publication Date: 08/08/2022
    ISBN13: 9781793654137, 978-1793654137
    ISBN10: 1793654131

    Description

    Book Synopsis

    In March 2020, the COVID-19 pandemic swept the world causing physical, emotional, economic, and social upheaval in every part of the globe. It also catalyzed a renewed interrogation, by music education faculty in higher education, of philosophies and practices that had long gone unexamined.

    Music Education on the Verge: Stories of Pandemic Teaching and Transformative Change is a collection of narratives by music teacher-educators describing how they responded to the disruption of the COVID-19 pandemic with, and for, their students. Through these stories, the authors step back and reflect on the events, challenges, triumphs, and innovations discovered as they prepared the next generation of music educators in this time of crisis. They tell stories of reexamining old frameworks, discovering new affordances of technologies, humanizing pedagogy, deepening culturally responsive and sustaining experiences, and creating space for democratic practices. Each chapter offers examples of innovative music pedagogy that can be adapted and applied by music educators and music teacher educators with their students. Collectively, they paint a picture of possibilities, challenging music teacher-educators— and educators in all fields— to seek out openings and pursue pedagogies of change as we move forward into a post-pandemic world.



    Trade Review

    In this deeply complicated and emotionally charged discipline of music teaching and learning, once in a while a book comes along that touches the very soul of what we do. Maas and Lewis have expertly edited and contributed to a collection of reflections about what really matters. Sad that it took a world pandemic to prompt these kinds of meaningful perspectives and stories of bravery and creativeness but thrilling to know how our profession responded. This book provides the chance to, indeed, imagine spaces becoming wider, new paths emerging, and a set of achievements that mark a new era for music and its meaning in our lives.

    -- Peter R. Webster, Thornton School of Music, University of Southern California

    Music Education During Crisis is a testament to music educators' dedication to supporting students and the ability to adapt in the context of a global pandemic. The specific pedagogical and curricular approaches that authors share are valuable in and of themselves, yet it is the intimacy of witnessing our colleagues' journeys, challenges, and processes of transforming curriculum and practice that invites us to pause and reflect on possibilities in our own contexts. These stories of pivots in technology, community, and roles as learners and educators are not just lessons learned through finding ways of being and teaching during COVID-19 but catalysts to reconsider what music learning and teaching might be as we move now and in the future.

    -- Evan Tobias, Arizona State University

    Table of Contents

    List of Figures

    Foreword

    Randall Everett Allsup

    Prologue

    Judy Lewis and Andrea Maas

    Acknowledgments

    Part I: Flint Stones and Foundational Frameworks

    Chapter One: Reflecting on Pandemic Teaching and Technology

    Emmett James O’Leary

    Chapter Two: A Thriving Form of Communication: Understanding Chat Within an Online Discussion-based Course

    Sheelagh Chadwick

    Chapter Three: Discovering Potential in a Pandemic: Performing, Responding, Connecting, and Creating in Instrumental Music Teaching

    Jonathan G. Schaller

    Chapter Four: The Digital Audio Workstation in the Aural Skills Classroom: Using Reason as a Tool for Dictation Practice

    Jerod Sommerfeldt

    Chapter Five: Sound Learning: The Pedagogical Pivots of Teaching Artists

    Michelle Amosu Thomas, Michelle Mercier-De Shon, Patrick K. Freer, and Luiz Barcellos

    In Dialogue: Letters Across the Pond

    Marsha Baxter and Marie Louise Bowe

    Part II: Culture, Care, and Community Hearths

    Chapter Six: Reclaiming the Musical Kauhale: Kanikapila and Mo’Olelo a Choral Curriculum

    Jace Kaholokula Saplan

    Chapter Seven: The Playlist Project: Exploring Culturally Responsive Practices Through Online Learning

    Tamara T. Thies

    Chapter Eight: Learning to Be Human: The Art of Care, Compassion, and Empathy in Music Education

    Nicholas Ryan McBride

    Chapter Nine: From Wide Roots to Connected Branches: Perspectives on Early Childhood Music Education Across Brazil During the Pandemic.

    Tiago Madalozzo, Vivian Agnolo Madalozzo, Angelita Vander Broock, Regiana Blank Wille

    In Dialogue: The Courage to Change—A Dialogue of Experience

    William L. Lake Jr. and Albert R. Lee

    Part III: Democracy and Dumpster Fires

    Chapter Ten: Remodeling Choral Experiences: Historic Preservation or Gut-Job Renovation?

    Andrea Maas

    Chapter Eleven: Curating Open Spaces: Digital Learning and Democratic Pedagogy

    Judy Lewis

    Chapter Twelve: Choir Disrupted

    Nils Klykken

    Epilogue: Transformative Change and Music Teacher Education

    Andrea Maas and Judy Lewis

    Appendix

    About the Contributors

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