Description

Book Synopsis

In March 2020, the COVID-19 pandemic swept the world causing physical, emotional, economic, and social upheaval in every part of the globe. It also catalyzed a renewed interrogation, by music education faculty in higher education, of philosophies and practices that had long gone unexamined.

Music Education on the Verge: Stories of Pandemic Teaching and Transformative Change is a collection of narratives by music teacher-educators describing how they responded to the disruption of the COVID-19 pandemic with, and for, their students. Through these stories, the authors step back and reflect on the events, challenges, triumphs, and innovations discovered as they prepared the next generation of music educators in this time of crisis. They tell stories of reexamining old frameworks, discovering new affordances of technologies, humanizing pedagogy, deepening culturally responsive and sustaining experiences, and creating space for democratic practices. Each chapter offers examples of innovative music pedagogy that can be adapted and applied by music educators and music teacher educators with their students. Collectively, they paint a picture of possibilities, challenging music teacher-educators— and educators in all fields— to seek out openings and pursue pedagogies of change as we move forward into a post-pandemic world.



Trade Review

In this deeply complicated and emotionally charged discipline of music teaching and learning, once in a while a book comes along that touches the very soul of what we do. Maas and Lewis have expertly edited and contributed to a collection of reflections about what really matters. Sad that it took a world pandemic to prompt these kinds of meaningful perspectives and stories of bravery and creativeness but thrilling to know how our profession responded. This book provides the chance to, indeed, imagine spaces becoming wider, new paths emerging, and a set of achievements that mark a new era for music and its meaning in our lives.

-- Peter R. Webster, Thornton School of Music, University of Southern California

Music Education During Crisis is a testament to music educators' dedication to supporting students and the ability to adapt in the context of a global pandemic. The specific pedagogical and curricular approaches that authors share are valuable in and of themselves, yet it is the intimacy of witnessing our colleagues' journeys, challenges, and processes of transforming curriculum and practice that invites us to pause and reflect on possibilities in our own contexts. These stories of pivots in technology, community, and roles as learners and educators are not just lessons learned through finding ways of being and teaching during COVID-19 but catalysts to reconsider what music learning and teaching might be as we move now and in the future.

-- Evan Tobias, Arizona State University

Table of Contents

List of Figures

Foreword

Randall Everett Allsup

Prologue

Judy Lewis and Andrea Maas

Acknowledgments

Part I: Flint Stones and Foundational Frameworks

Chapter One: Reflecting on Pandemic Teaching and Technology

Emmett James O’Leary

Chapter Two: A Thriving Form of Communication: Understanding Chat Within an Online Discussion-based Course

Sheelagh Chadwick

Chapter Three: Discovering Potential in a Pandemic: Performing, Responding, Connecting, and Creating in Instrumental Music Teaching

Jonathan G. Schaller

Chapter Four: The Digital Audio Workstation in the Aural Skills Classroom: Using Reason as a Tool for Dictation Practice

Jerod Sommerfeldt

Chapter Five: Sound Learning: The Pedagogical Pivots of Teaching Artists

Michelle Amosu Thomas, Michelle Mercier-De Shon, Patrick K. Freer, and Luiz Barcellos

In Dialogue: Letters Across the Pond

Marsha Baxter and Marie Louise Bowe

Part II: Culture, Care, and Community Hearths

Chapter Six: Reclaiming the Musical Kauhale: Kanikapila and Mo’Olelo a Choral Curriculum

Jace Kaholokula Saplan

Chapter Seven: The Playlist Project: Exploring Culturally Responsive Practices Through Online Learning

Tamara T. Thies

Chapter Eight: Learning to Be Human: The Art of Care, Compassion, and Empathy in Music Education

Nicholas Ryan McBride

Chapter Nine: From Wide Roots to Connected Branches: Perspectives on Early Childhood Music Education Across Brazil During the Pandemic.

Tiago Madalozzo, Vivian Agnolo Madalozzo, Angelita Vander Broock, Regiana Blank Wille

In Dialogue: The Courage to Change—A Dialogue of Experience

William L. Lake Jr. and Albert R. Lee

Part III: Democracy and Dumpster Fires

Chapter Ten: Remodeling Choral Experiences: Historic Preservation or Gut-Job Renovation?

Andrea Maas

Chapter Eleven: Curating Open Spaces: Digital Learning and Democratic Pedagogy

Judy Lewis

Chapter Twelve: Choir Disrupted

Nils Klykken

Epilogue: Transformative Change and Music Teacher Education

Andrea Maas and Judy Lewis

Appendix

About the Contributors

Music Education on the Verge: Stories of Pandemic

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    A Hardback by Judy Lewis, Andrea Maas, Randall Everett Allsup

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      Publisher: Lexington Books
      Publication Date: 08/08/2022
      ISBN13: 9781793654137, 978-1793654137
      ISBN10: 1793654131

      Description

      Book Synopsis

      In March 2020, the COVID-19 pandemic swept the world causing physical, emotional, economic, and social upheaval in every part of the globe. It also catalyzed a renewed interrogation, by music education faculty in higher education, of philosophies and practices that had long gone unexamined.

      Music Education on the Verge: Stories of Pandemic Teaching and Transformative Change is a collection of narratives by music teacher-educators describing how they responded to the disruption of the COVID-19 pandemic with, and for, their students. Through these stories, the authors step back and reflect on the events, challenges, triumphs, and innovations discovered as they prepared the next generation of music educators in this time of crisis. They tell stories of reexamining old frameworks, discovering new affordances of technologies, humanizing pedagogy, deepening culturally responsive and sustaining experiences, and creating space for democratic practices. Each chapter offers examples of innovative music pedagogy that can be adapted and applied by music educators and music teacher educators with their students. Collectively, they paint a picture of possibilities, challenging music teacher-educators— and educators in all fields— to seek out openings and pursue pedagogies of change as we move forward into a post-pandemic world.



      Trade Review

      In this deeply complicated and emotionally charged discipline of music teaching and learning, once in a while a book comes along that touches the very soul of what we do. Maas and Lewis have expertly edited and contributed to a collection of reflections about what really matters. Sad that it took a world pandemic to prompt these kinds of meaningful perspectives and stories of bravery and creativeness but thrilling to know how our profession responded. This book provides the chance to, indeed, imagine spaces becoming wider, new paths emerging, and a set of achievements that mark a new era for music and its meaning in our lives.

      -- Peter R. Webster, Thornton School of Music, University of Southern California

      Music Education During Crisis is a testament to music educators' dedication to supporting students and the ability to adapt in the context of a global pandemic. The specific pedagogical and curricular approaches that authors share are valuable in and of themselves, yet it is the intimacy of witnessing our colleagues' journeys, challenges, and processes of transforming curriculum and practice that invites us to pause and reflect on possibilities in our own contexts. These stories of pivots in technology, community, and roles as learners and educators are not just lessons learned through finding ways of being and teaching during COVID-19 but catalysts to reconsider what music learning and teaching might be as we move now and in the future.

      -- Evan Tobias, Arizona State University

      Table of Contents

      List of Figures

      Foreword

      Randall Everett Allsup

      Prologue

      Judy Lewis and Andrea Maas

      Acknowledgments

      Part I: Flint Stones and Foundational Frameworks

      Chapter One: Reflecting on Pandemic Teaching and Technology

      Emmett James O’Leary

      Chapter Two: A Thriving Form of Communication: Understanding Chat Within an Online Discussion-based Course

      Sheelagh Chadwick

      Chapter Three: Discovering Potential in a Pandemic: Performing, Responding, Connecting, and Creating in Instrumental Music Teaching

      Jonathan G. Schaller

      Chapter Four: The Digital Audio Workstation in the Aural Skills Classroom: Using Reason as a Tool for Dictation Practice

      Jerod Sommerfeldt

      Chapter Five: Sound Learning: The Pedagogical Pivots of Teaching Artists

      Michelle Amosu Thomas, Michelle Mercier-De Shon, Patrick K. Freer, and Luiz Barcellos

      In Dialogue: Letters Across the Pond

      Marsha Baxter and Marie Louise Bowe

      Part II: Culture, Care, and Community Hearths

      Chapter Six: Reclaiming the Musical Kauhale: Kanikapila and Mo’Olelo a Choral Curriculum

      Jace Kaholokula Saplan

      Chapter Seven: The Playlist Project: Exploring Culturally Responsive Practices Through Online Learning

      Tamara T. Thies

      Chapter Eight: Learning to Be Human: The Art of Care, Compassion, and Empathy in Music Education

      Nicholas Ryan McBride

      Chapter Nine: From Wide Roots to Connected Branches: Perspectives on Early Childhood Music Education Across Brazil During the Pandemic.

      Tiago Madalozzo, Vivian Agnolo Madalozzo, Angelita Vander Broock, Regiana Blank Wille

      In Dialogue: The Courage to Change—A Dialogue of Experience

      William L. Lake Jr. and Albert R. Lee

      Part III: Democracy and Dumpster Fires

      Chapter Ten: Remodeling Choral Experiences: Historic Preservation or Gut-Job Renovation?

      Andrea Maas

      Chapter Eleven: Curating Open Spaces: Digital Learning and Democratic Pedagogy

      Judy Lewis

      Chapter Twelve: Choir Disrupted

      Nils Klykken

      Epilogue: Transformative Change and Music Teacher Education

      Andrea Maas and Judy Lewis

      Appendix

      About the Contributors

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