Description

Book Synopsis

Also known as Journey to the West, Wu Ch''êng-ên''s Monkey is one of the Four Great Classical Novels in Chinese literature, translated by Arthur Waley in Penguin Classics.

Monkey depicts the adventures of Prince Tripitaka, a young Buddhist priest on a dangerous pilgrimage to India to retrieve sacred scriptures accompanied by his three unruly disciples: the greedy pig creature Pipsy, the river monster Sandy - and Monkey. Hatched from a stone egg and given the secrets of heaven and earth, the irrepressible trickster Monkey can ride on the clouds, become invisible and transform into other shapes - skills that prove very useful when the four travellers come up against the dragons, bandits, demons and evil wizards that threaten to prevent them in their quest. Wu Ch''êng-ên wrote Monkey in the mid-sixteenth century, adding his own distinctive style to an ancient Chinese legend, and in so doing created a dazzling combination of nonsense with profundity,

Monkey

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A Paperback / softback by Wu Ch'eng-en, Arthur Waley

15 in stock


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    Publisher: Penguin Books Ltd
    Publication Date: 29/03/1973
    ISBN13: 9780140441116, 978-0140441116
    ISBN10: 0140441115

    Description

    Book Synopsis

    Also known as Journey to the West, Wu Ch''êng-ên''s Monkey is one of the Four Great Classical Novels in Chinese literature, translated by Arthur Waley in Penguin Classics.

    Monkey depicts the adventures of Prince Tripitaka, a young Buddhist priest on a dangerous pilgrimage to India to retrieve sacred scriptures accompanied by his three unruly disciples: the greedy pig creature Pipsy, the river monster Sandy - and Monkey. Hatched from a stone egg and given the secrets of heaven and earth, the irrepressible trickster Monkey can ride on the clouds, become invisible and transform into other shapes - skills that prove very useful when the four travellers come up against the dragons, bandits, demons and evil wizards that threaten to prevent them in their quest. Wu Ch''êng-ên wrote Monkey in the mid-sixteenth century, adding his own distinctive style to an ancient Chinese legend, and in so doing created a dazzling combination of nonsense with profundity,

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