Description

Book Synopsis

This edited collection examines the effects that macrosystems have on the figuration of our everyday—of microdystopias—and argues that microdystopic narratives are part of a genre that has emerged in contract to classic dystopic manifestations of world-shattering events. From different methodological and theoretical positions in fieldworks ranging from literary works and young adult series to concrete places and games, the contributors in Microdystopias: Aesthetics and Ideologies in a Broken Moment sound the depths of an existential sense of shrinking horizons – spatially, temporally, emotionally, and politically. The everyday encroachment on our sense of spatial orientation that gradually and discreetly shrinks the horizons of possibilities is demonstrated by examining what the form of the microdystopic look like when they are aesthetically configured. Contributors analyze the aesthetics that play a particularly central and complex role in mediating, as well as disrupting, the parameters of dystopian emergences and emergencies, reflecting an increasingly uneasy relationship between the fictional, the cautionary, and the real. Scholars of media studies, sociology, and philosophy will find this book of particular interest.



Trade Review

“Have we become exhausted by mass culture’s indulgence in exorbitant spectacles of apocalyptic destruction and civilizational collapse, and turned instead to more modest and nuanced portrayals of the on-going “microdystopias” of everyday life? This scintillating collection of essays by a team of astute Norwegian cultural critics makes a strong case for the transition from fearing the world will end with a bang to experiencing it as an endless series of desperate whimpers."

-- Martin Jay, University of California, Berkeley

Table of Contents

Table of Contents

Acknowledgments

Preface

Henrik Gustafsson

Chapter 1: Microdystopias

Asbjørn Grønstad and Lene Johannessen

Chapter 2: Toward a Diagnostics of the Present: Popular Culture, Post-Apocalyptic

Macro-Dystopia, and the Petrification of Politics

Holger Pötzsch

Chapter 3: The Electronic Superhighway Collapses: The Silences of Don DeLillo’s The Silence

Øyvind Vågnes

Chapter 4: Microdystopias and the Encoded Uncanny in Ira Levin and Rick and Morty

Michael J. Prince

Chapter 5: Unfeeling the Future: Euphoria, Teen Angst and the Micro-dystopic

Anders Lysne

Chapter 6: ‘Heavenly Days’ and Everyday Dystopia in Superstore

Lene Johannessen

Chapter 7: Nomadland, Neoliberalism and the Microdystopic

Asbjørn Grønstad

Chapter 8: Micro-dystopia and the Question of Wilderness

Knut Rio

Chapter 9: Cultural Appropriation or Cultural Appreciation? Unpacking the microtopias of Beyonce’s Black is King

Nahum Welang

Chapter 10: ‘It’s our secret, right?’: An Investigation of Homelessness in HBO’s

Mare of Easttown

Janne Stigen Drangsholt

About the Contributors

Microdystopias: Aesthetics and Ideologies in a

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A Hardback by Asbjørn Grønstad, Lene M. Johannessen, Janne Stigen Drangsholt

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    View other formats and editions of Microdystopias: Aesthetics and Ideologies in a by Asbjørn Grønstad

    Publisher: Lexington Books
    Publication Date: 18/11/2022
    ISBN13: 9781666929423, 978-1666929423
    ISBN10: 1666929425
    Also in:
    Media studies

    Description

    Book Synopsis

    This edited collection examines the effects that macrosystems have on the figuration of our everyday—of microdystopias—and argues that microdystopic narratives are part of a genre that has emerged in contract to classic dystopic manifestations of world-shattering events. From different methodological and theoretical positions in fieldworks ranging from literary works and young adult series to concrete places and games, the contributors in Microdystopias: Aesthetics and Ideologies in a Broken Moment sound the depths of an existential sense of shrinking horizons – spatially, temporally, emotionally, and politically. The everyday encroachment on our sense of spatial orientation that gradually and discreetly shrinks the horizons of possibilities is demonstrated by examining what the form of the microdystopic look like when they are aesthetically configured. Contributors analyze the aesthetics that play a particularly central and complex role in mediating, as well as disrupting, the parameters of dystopian emergences and emergencies, reflecting an increasingly uneasy relationship between the fictional, the cautionary, and the real. Scholars of media studies, sociology, and philosophy will find this book of particular interest.



    Trade Review

    “Have we become exhausted by mass culture’s indulgence in exorbitant spectacles of apocalyptic destruction and civilizational collapse, and turned instead to more modest and nuanced portrayals of the on-going “microdystopias” of everyday life? This scintillating collection of essays by a team of astute Norwegian cultural critics makes a strong case for the transition from fearing the world will end with a bang to experiencing it as an endless series of desperate whimpers."

    -- Martin Jay, University of California, Berkeley

    Table of Contents

    Table of Contents

    Acknowledgments

    Preface

    Henrik Gustafsson

    Chapter 1: Microdystopias

    Asbjørn Grønstad and Lene Johannessen

    Chapter 2: Toward a Diagnostics of the Present: Popular Culture, Post-Apocalyptic

    Macro-Dystopia, and the Petrification of Politics

    Holger Pötzsch

    Chapter 3: The Electronic Superhighway Collapses: The Silences of Don DeLillo’s The Silence

    Øyvind Vågnes

    Chapter 4: Microdystopias and the Encoded Uncanny in Ira Levin and Rick and Morty

    Michael J. Prince

    Chapter 5: Unfeeling the Future: Euphoria, Teen Angst and the Micro-dystopic

    Anders Lysne

    Chapter 6: ‘Heavenly Days’ and Everyday Dystopia in Superstore

    Lene Johannessen

    Chapter 7: Nomadland, Neoliberalism and the Microdystopic

    Asbjørn Grønstad

    Chapter 8: Micro-dystopia and the Question of Wilderness

    Knut Rio

    Chapter 9: Cultural Appropriation or Cultural Appreciation? Unpacking the microtopias of Beyonce’s Black is King

    Nahum Welang

    Chapter 10: ‘It’s our secret, right?’: An Investigation of Homelessness in HBO’s

    Mare of Easttown

    Janne Stigen Drangsholt

    About the Contributors

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