Description

Book Synopsis
This distinctive pottery, made for use and for show at the village of Mata Ortiz, Mexico, evolved from Juan Quezada''s first efforts in 1955 into a business that involves the village and now employs around 350 potters. Six distinct styles are presented: black, polychrome, sgraffito (etched), colored, miniature, and special shapes. Bowls, plates, vessels, and delightful figural pieces have recognizable glazes and coloring that have made Mata Ortiz pottery welcome in many ceramics collections today. This fresh and comprehensive book includes a fascinating discussion of similarities in the bird motif with Acoma Pueblo (New Mexico) pottery. Private and gallery pottery collections were studied, making this a thorough presentation of old and new work. Each form is described with the maker''s name, decorative details, and dimensions. Both older and emerging artists are well represented, making this an important reference for the classic forms, current styles, and future designs.

Mata Ortiz Pottery Today

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A Hardback by Guy Berger

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    View other formats and editions of Mata Ortiz Pottery Today by Guy Berger

    Publisher: Schiffer Publishing Ltd
    Publication Date: 27/09/2010
    ISBN13: 9780764334702, 978-0764334702
    ISBN10: 764334700

    Description

    Book Synopsis
    This distinctive pottery, made for use and for show at the village of Mata Ortiz, Mexico, evolved from Juan Quezada''s first efforts in 1955 into a business that involves the village and now employs around 350 potters. Six distinct styles are presented: black, polychrome, sgraffito (etched), colored, miniature, and special shapes. Bowls, plates, vessels, and delightful figural pieces have recognizable glazes and coloring that have made Mata Ortiz pottery welcome in many ceramics collections today. This fresh and comprehensive book includes a fascinating discussion of similarities in the bird motif with Acoma Pueblo (New Mexico) pottery. Private and gallery pottery collections were studied, making this a thorough presentation of old and new work. Each form is described with the maker''s name, decorative details, and dimensions. Both older and emerging artists are well represented, making this an important reference for the classic forms, current styles, and future designs.

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