Description
Book SynopsisSurround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell's Angels (1930) to Get Out (2017), to show how Hollywood's financial dependence on mono prevented filmmakers from seeing surround sound's full aesthetic potential. Though studios initially explored stereo's unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersiveformats.
Table of ContentsContents
List of Illustrations
Acknowledgments
Introduction: Stereo Front and Center
1. Widescreens, Headphones, and Concert Halls: Film Stereo’s Identity Crisis
2. Fantasia and Failure on a Theme by Bell Telephone
3. The Cinerama Experience 83
4. The Triple-Track Disruption and the CinemaScope Solution
5. Perspecta, Todd-AO, and the Emergence of Monocentrism
6. Dolby Stereo: The End of an Era
Conclusion: Life’s the Same, Movies in Stereo
Notes
Bibliography
Illustration Credits
Index
