Description
Book SynopsisLosing Your Head: Abjection, Aesthetic Conflict, and Psychoanalytic Criticism looks at the subject of beheading in art as a trope of the destruction of the mind. This book discusses both psychoanalytic theory and art criticism. It addresses critics, readers, and spectators interested in the keys of interpretation that psychoanalysis can offer, and analysts who are curious to know if artists can help them refine the tools they use every day. It asks whether artists have something to say about the concepts of reverie and negative reverie or about change as aesthetic transformation, and about aesthetic experience as a paradigm of what is most true and most profound in analysis. Why write about beheading? Many art galleries feature paintings of heroines performing this cruel act: Delilah, Salome, Judith, Yael, and others. At the antithesis to this, there is another theme to be found in painting that consistently garners attention: namely, the so-called Sacred Conversation, in which the Mad
Trade ReviewGiuseppe Civitarese has given us another thought provoking and wonderful new book to open our analytic minds to new ways of thinking about what we analysts do. This volume begins with a discussion of the meaning of ‘beheading,’ a topic that could not be more current as the destruction of the mind, and Civitarese beautifully examines how psychoanalytic theory and art criticism are related endeavors that each strengthen and build the mind. This erudite and aesthetically rich book continues Civitarese’s exploration of psychoanalysis and aesthetics that he began in his previous publication, The Violence of Emotions: Bion and Post-Bionian Psychoanalysis. This present volume further establishes Civitarese as a leading creative thinker in contemporary psychoanalysis. -- Lawrence J. Brown, author of Intersubjective Processes and the Unconscious: Freudian, Kleinian and Bionian Perspectives
Focusing here on the unexpected theme of ‘decapitation’ (the real as well as the metaphorical losses of heads and minds), Giuseppe Civitarese’s critical reflections upon such a variety of artistic creations as a Haneke’s movie, a Boccaccio’s short story, or a video installation from the Venice Biennale leave us intellectually stimulated and enriched. Civitarese’s wide-ranging psychoanalytic scholarship on aesthetics, combined with his elegant writing style, will only surprise those readers not yet familiar with the depth and breadth of his contributions to psychoanalysis. -- Andrea Sabbadini, British Psychoanalytical Society
Civitarese's extensive clinical experience and knowledge of Freud, Klein, Meltzer, Kristeva, and especially Bion, is here deployed in analyses of the art object, film, installation, and poetry to illuminate the nature of aesthetic experience and its fundamental place in the space and relationships of the analytic encounter. -- Lesley Caldwell, PhD, University College London
Table of ContentsChapter 1 Towards a (New) Psychoanalytic Criticism Giuseppe Civitarese, Sara Boffito and Francesco Capello Chapter 2 Aesthetic Conflict and Abjection in Boccaccio’s (L)Isabetta Chapter 3 Changing Styles, Affective Continuities and Psychic Containers: Corrado Govoni’s Early Poetry Francesco Capello and Giuseppe Civitarese Chapter 4 Do Cyborgs Dream? Post-human Landscapes in Shinya Tsukamoto’s Nightmare Detective Chapter 5 The Dream Screen and the Birth of the Psyche in Ingmar Bergman’s Persona Chapter 6 What’s Going to Happen to Us Without Barbarians? Guilt and Paranoia in Michael Haneke’s Hidden Chapter 7 Joseph Losey’s The Servant, the Shattered Life Chapter 8 The Last Riot and the Déjà Vu Decapitations of the AES+F Group References About the Author
