“The narrating voice in Living Room is insistent but quiet, though it sometimes achieves loudness without any apparent effort. At other times it seems to continue in the -reader’s mind even after stopping for the day. It is an important new presence, faintly disturbing and endlessly attractive.”—John Ashbery
Readers may be voyeurs, but the subtler gifts are not for the fast glancers. Take a good slow second look at Geoff Bouvier’s Living Room . . . bravura performances, both accessible and elegant, both immediate and subtle, both hilarious and serious. . . . With virtuoso reversals, switches of vantage, changes of scale, inside-outings, they accomplish metaphysical, not only physical, effects.—from the introduction by Heather McHugh
Each of Geoff Bouvier’s prose poems brims with industry and restless attention, and the dramas they contain are manifold. Here a solitary mind and there a whole social sphere
