Description

Book Synopsis
In this volume an inquiry into the nature of the creative process is attempted by paying close attention to the lives of various artists, poets, novelists and playwrights, and selected works of each in order to demonstrate an essential relationship between the two, and that it is most difficult to delineate the nuances of the creative act by treating them as separate entitites. Emphasis is placed upon the effect of early trauma, such as object loss and various forms of deprivation, as a powerful unconscious motivating factor and upon the dream and transitional object as facilitators of the creative effort.

Trade Review
The plight of the artist was one of great interest within the field of applied psychoanalysis from its earliest days. In the meetings of the Vienna Psychoanalytic Society, considerable time was devoted to the discussion of this issue, Freud having relied so much upon literature and art for evidence to support his ideas about the unconscious. Ultimately, he became sceptical as to how thoroughly the creative process could ever be understood and reached the conclusion that "Before the artist, the analyst must lay down his arms."The subjects of this study are allowed to speak for themselves through their works, autobiographical commentary and personal declarations wherever possible. These quotations and excerpts are meant to serve in a manner similar to that of a basic science to its clinical counterpart by furnishing a broader foundation for the derivation of further hypotheses.Contents1 Object Loss, Dreaming and Creativity: The Poetry of John Keats2 Joseph Conrad: 1880-1910, His Development as a Writer3 The Doppelganger Element in the Relationship Between Bertrand Russell and Joseph Conrad4 Pre-oedipal Considerations in the Works of Eugene O'Neill5 The Effect of Early Trauma upon Thomas Hardy's Literary Career6 The Significance fo Transitional Phenomena and Sublimation in the Life and Writings of Vladimir Nabokov7 Orwell's 1984 and the Creative Transformation of Intrapsychic Conflict8 Thomas Wolfe's The Lost Boy: Sequelae of Childhood Sibling Loss9 Heinrich Von Kleist and the Quest for Perfection and Immortality10 The Plays of Peter Shaffer and the Vicissitudes of Twinship Rivalry

Table of Contents
Introduction -- John Keats -- Joseph Conrad -- Eugene O’Neill -- Thomas Hardy -- Vladimir Nabokov -- George Orwell -- Heinrich von Kleist -- Thomas Wolfe -- Peter Shaffer

Life and Art: The Creative Synthesis in

Product form

£40.84

Includes FREE delivery

RRP £42.99 – you save £2.15 (5%)

Order before 4pm today for delivery by Mon 12 Jan 2026.

A Paperback / softback by James W. Hamilton

15 in stock


    View other formats and editions of Life and Art: The Creative Synthesis in by James W. Hamilton

    Publisher: Taylor & Francis Ltd
    Publication Date: 13/11/2009
    ISBN13: 9781855756359, 978-1855756359
    ISBN10: 1855756358

    Description

    Book Synopsis
    In this volume an inquiry into the nature of the creative process is attempted by paying close attention to the lives of various artists, poets, novelists and playwrights, and selected works of each in order to demonstrate an essential relationship between the two, and that it is most difficult to delineate the nuances of the creative act by treating them as separate entitites. Emphasis is placed upon the effect of early trauma, such as object loss and various forms of deprivation, as a powerful unconscious motivating factor and upon the dream and transitional object as facilitators of the creative effort.

    Trade Review
    The plight of the artist was one of great interest within the field of applied psychoanalysis from its earliest days. In the meetings of the Vienna Psychoanalytic Society, considerable time was devoted to the discussion of this issue, Freud having relied so much upon literature and art for evidence to support his ideas about the unconscious. Ultimately, he became sceptical as to how thoroughly the creative process could ever be understood and reached the conclusion that "Before the artist, the analyst must lay down his arms."The subjects of this study are allowed to speak for themselves through their works, autobiographical commentary and personal declarations wherever possible. These quotations and excerpts are meant to serve in a manner similar to that of a basic science to its clinical counterpart by furnishing a broader foundation for the derivation of further hypotheses.Contents1 Object Loss, Dreaming and Creativity: The Poetry of John Keats2 Joseph Conrad: 1880-1910, His Development as a Writer3 The Doppelganger Element in the Relationship Between Bertrand Russell and Joseph Conrad4 Pre-oedipal Considerations in the Works of Eugene O'Neill5 The Effect of Early Trauma upon Thomas Hardy's Literary Career6 The Significance fo Transitional Phenomena and Sublimation in the Life and Writings of Vladimir Nabokov7 Orwell's 1984 and the Creative Transformation of Intrapsychic Conflict8 Thomas Wolfe's The Lost Boy: Sequelae of Childhood Sibling Loss9 Heinrich Von Kleist and the Quest for Perfection and Immortality10 The Plays of Peter Shaffer and the Vicissitudes of Twinship Rivalry

    Table of Contents
    Introduction -- John Keats -- Joseph Conrad -- Eugene O’Neill -- Thomas Hardy -- Vladimir Nabokov -- George Orwell -- Heinrich von Kleist -- Thomas Wolfe -- Peter Shaffer

    Recently viewed products

    © 2025 Book Curl

      • American Express
      • Apple Pay
      • Diners Club
      • Discover
      • Google Pay
      • Maestro
      • Mastercard
      • PayPal
      • Shop Pay
      • Union Pay
      • Visa

      Login

      Forgot your password?

      Don't have an account yet?
      Create account