Description

Book Synopsis
Provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

Trade Review

Overall, Jean-Luc Godard: Cinema Historian is quite simply a brilliant book, a sustained meditation on Godard's approach to history and his Histoire(s) du cinema, but also an extraordinary summation of Godard's entire career.

* Year's Work in Critical and Cultural Theory *

Witt provides a thorough account of Histoire(s) du cinéma's genesis and an erudite yet highly readable exegesis of its manifold narratives and ramifications

* French Studies *

Witt tackles his subject, in what is his first sole-authored book, in such an unfussy manner and without the elliptical quality tainting much Godard commentary—artsy, complicated prose trying to compensate for a kernel of confusion—that the experience of reading Cinema Historian is like a door swinging open.

* New Left Review *

[T]here is little to find fault with in Witt's methodically argued, rigorously researched and compellingly written text. It almost seems as if he has left no stone unturned in attempting to decipher Histoire(s) du cinéma, even if the futile nature of such an endeavour is freely admitted: there will always, in Godard's work, be elements that remain impenetrable to his exegetes.

* Senses of Cinema *

What Witt communicates nicely . . . is the richness and depth of Godard's project. Histoire(s) du cinéma is a work that needs to be engaged with on its own terms, but its complexity and strength are only enhanced by the kind of detailed analysis that Witt and others have begun to provide it with.

* Film Quarterly *

There has been a slew of important books lately devoted to post-60s Godard [] But none seems quite as durable—either a beautiful object or as a user-friendly intellectual guide—as Jean-Luc Godard: Cinema Historian, Witt's superbly lucid jargon-free book about Histoire(s) du cinéma. Copiously illustrated with frame enlargements that complement the text without ever seeming redundant, this examination of the philosophical, historical and aesthetic underpinnings of Godard's masterwork isn't only about a four and-a-half-hour video; it's also about the work's separate reconfigurations as a series of books, a set of CDs and a 35mm feature of 84 minutes.

* Sight & Sound *

Highly recommended.

* Choice *

Michael Witt's Jean-Luc Godard: Cinema Historian . . . [is] one of the most vital film books of recent memory.

* Spectrum Culture *

Table of Contents

Acknowledgments

Introduction: Godard's Theorem
1. Histoire(s) du cinéma: A History
2. The Prior and Parallel Work
3. Models and Guides
4. The Rise and Fall of the Cinematograph
5. Cinema, Nationhood, and the New Wave
6. Making Images in the Age of Spectacle
7. The Metamorphoses
Envoi

Works by Godard
Notes
Select Bibliography
Index

JeanLuc Godard Cinema Historian

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    Order before 4pm tomorrow for delivery by Thu 2 Jul 2026.

    A Paperback / softback by Michael Witt

    10 in stock

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      View other formats and editions of JeanLuc Godard Cinema Historian by Michael Witt

      Publisher: Indiana University Press
      Publication Date: 07/11/2013
      ISBN13: 9780253007285, 978-0253007285
      ISBN10: 0253007283

      Description

      Book Synopsis
      Provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

      Trade Review

      Overall, Jean-Luc Godard: Cinema Historian is quite simply a brilliant book, a sustained meditation on Godard's approach to history and his Histoire(s) du cinema, but also an extraordinary summation of Godard's entire career.

      * Year's Work in Critical and Cultural Theory *

      Witt provides a thorough account of Histoire(s) du cinéma's genesis and an erudite yet highly readable exegesis of its manifold narratives and ramifications

      * French Studies *

      Witt tackles his subject, in what is his first sole-authored book, in such an unfussy manner and without the elliptical quality tainting much Godard commentary—artsy, complicated prose trying to compensate for a kernel of confusion—that the experience of reading Cinema Historian is like a door swinging open.

      * New Left Review *

      [T]here is little to find fault with in Witt's methodically argued, rigorously researched and compellingly written text. It almost seems as if he has left no stone unturned in attempting to decipher Histoire(s) du cinéma, even if the futile nature of such an endeavour is freely admitted: there will always, in Godard's work, be elements that remain impenetrable to his exegetes.

      * Senses of Cinema *

      What Witt communicates nicely . . . is the richness and depth of Godard's project. Histoire(s) du cinéma is a work that needs to be engaged with on its own terms, but its complexity and strength are only enhanced by the kind of detailed analysis that Witt and others have begun to provide it with.

      * Film Quarterly *

      There has been a slew of important books lately devoted to post-60s Godard [] But none seems quite as durable—either a beautiful object or as a user-friendly intellectual guide—as Jean-Luc Godard: Cinema Historian, Witt's superbly lucid jargon-free book about Histoire(s) du cinéma. Copiously illustrated with frame enlargements that complement the text without ever seeming redundant, this examination of the philosophical, historical and aesthetic underpinnings of Godard's masterwork isn't only about a four and-a-half-hour video; it's also about the work's separate reconfigurations as a series of books, a set of CDs and a 35mm feature of 84 minutes.

      * Sight & Sound *

      Highly recommended.

      * Choice *

      Michael Witt's Jean-Luc Godard: Cinema Historian . . . [is] one of the most vital film books of recent memory.

      * Spectrum Culture *

      Table of Contents

      Acknowledgments

      Introduction: Godard's Theorem
      1. Histoire(s) du cinéma: A History
      2. The Prior and Parallel Work
      3. Models and Guides
      4. The Rise and Fall of the Cinematograph
      5. Cinema, Nationhood, and the New Wave
      6. Making Images in the Age of Spectacle
      7. The Metamorphoses
      Envoi

      Works by Godard
      Notes
      Select Bibliography
      Index

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