Description

Book Synopsis


Trade Review
"This is a readable, engaging book. . . . Recommended." --Choice
"Miklitsch's book is gripping. . . . So the many facets of the individual versus the system or the one system against another one (in that case a mob/gangster syndicate) get a lot of attention." --PopCultureShelf
"Alert to the aesthetic, political, industrial, and historical provocations and subversions of 'gangster noir,' I Died a Million Times provides an excellent overview and analysis of this subgenre and reminds us of film noir’s rich hybridity. Full of truly superb readings of well-known and less familiar classic noir films, Robert Miklitsch’s book, written with striking verve, will engage, delight, and inform scholars and movie fans."--Julie Grossman, coauthor of Ida Lupino, Director: Her Art and Resilience in Times of Transition
"I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary." --Arts Fuse
"Scholars of cinematic history and aficionados of gangster folklore will be riveted." --Library Journal

Table of Contents
Acknowledgments
Direct Address: To the Reader
Preface: Gangster/Noir
Introduction: From the Syndicate to the Classic Heist Picture
Organized Crime as “Big Combo”: The Octopus
The Syndicate Picture: Bright City Confidential
The Syndicate/Rogue Cop Film: The Racket
The Rogue Cop Film: Dragnet v. “Bloody Christmas”
“Gangster with a Badge”: On Dangerous Ground
The Heist Picture: Neo-Gangster Noir
The Proto-Heist Film: High Sierra and Beyond
Part One
1 The Syndicate Film
711 Ocean Drive: California Dreaming
The Captive City: Underworld, USA
The Big Combo: Between Men
2 The Brothers Rico: Sunshine Noir and the ’50s Syndicate Picture
3 The Phenix City Story: History and Fiction (Film), Civil Rights, and the Last Days of Pompeii
Part Two
4 Where the Sidewalk Ends: Theft, Adaptation, Prototypicality
0 5 The Rogue Cop Film
The Prowler: Car Culture/Cadillac
The Big Heat: Something/Nothing
Shield for Murder: Dirt/Castle Heights
6 Touch of Evil: Good Cop/Bad Cop
Part Three
7 The Asphalt Jungle: The City under the City
8 The Heist Film
Armored Car Robbery: Striptease
The Killing: Jigsaw Puzzle
Plunder Road: Near Mint
9 Odds against Tomorrow: Race, Space, and Sputnik Noir
Conclusion: Post-’50s Syndicate, Rogue Cop, and “Big Caper” Films
Neo-Gangster Noir Syndicate Picture: Underworld U.S.A.
The Post-’50s Rogue Cop Film: Cape Fear
Post-Classic Heist Movie: Ocean’s 11
Notes
Index

I Died a Million Times

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A Hardback by Robert Miklitsch

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    View other formats and editions of I Died a Million Times by Robert Miklitsch

    Publisher: University of Illinois Press
    Publication Date: 11/01/2021
    ISBN13: 9780252043611, 978-0252043611
    ISBN10: 0252043618

    Description

    Book Synopsis


    Trade Review
    "This is a readable, engaging book. . . . Recommended." --Choice
    "Miklitsch's book is gripping. . . . So the many facets of the individual versus the system or the one system against another one (in that case a mob/gangster syndicate) get a lot of attention." --PopCultureShelf
    "Alert to the aesthetic, political, industrial, and historical provocations and subversions of 'gangster noir,' I Died a Million Times provides an excellent overview and analysis of this subgenre and reminds us of film noir’s rich hybridity. Full of truly superb readings of well-known and less familiar classic noir films, Robert Miklitsch’s book, written with striking verve, will engage, delight, and inform scholars and movie fans."--Julie Grossman, coauthor of Ida Lupino, Director: Her Art and Resilience in Times of Transition
    "I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary." --Arts Fuse
    "Scholars of cinematic history and aficionados of gangster folklore will be riveted." --Library Journal

    Table of Contents
    Acknowledgments
    Direct Address: To the Reader
    Preface: Gangster/Noir
    Introduction: From the Syndicate to the Classic Heist Picture
    Organized Crime as “Big Combo”: The Octopus
    The Syndicate Picture: Bright City Confidential
    The Syndicate/Rogue Cop Film: The Racket
    The Rogue Cop Film: Dragnet v. “Bloody Christmas”
    “Gangster with a Badge”: On Dangerous Ground
    The Heist Picture: Neo-Gangster Noir
    The Proto-Heist Film: High Sierra and Beyond
    Part One
    1 The Syndicate Film
    711 Ocean Drive: California Dreaming
    The Captive City: Underworld, USA
    The Big Combo: Between Men
    2 The Brothers Rico: Sunshine Noir and the ’50s Syndicate Picture
    3 The Phenix City Story: History and Fiction (Film), Civil Rights, and the Last Days of Pompeii
    Part Two
    4 Where the Sidewalk Ends: Theft, Adaptation, Prototypicality
    0 5 The Rogue Cop Film
    The Prowler: Car Culture/Cadillac
    The Big Heat: Something/Nothing
    Shield for Murder: Dirt/Castle Heights
    6 Touch of Evil: Good Cop/Bad Cop
    Part Three
    7 The Asphalt Jungle: The City under the City
    8 The Heist Film
    Armored Car Robbery: Striptease
    The Killing: Jigsaw Puzzle
    Plunder Road: Near Mint
    9 Odds against Tomorrow: Race, Space, and Sputnik Noir
    Conclusion: Post-’50s Syndicate, Rogue Cop, and “Big Caper” Films
    Neo-Gangster Noir Syndicate Picture: Underworld U.S.A.
    The Post-’50s Rogue Cop Film: Cape Fear
    Post-Classic Heist Movie: Ocean’s 11
    Notes
    Index

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