Description

Book Synopsis
From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This title explains how Aeschylus, Euripides, and Sophocles conceived their works in performance. It summarizes what we know about how their tragedies were actually staged.

Trade Review
"Simon Goldhill's new book is enthralling. A 'can't put down' and a 'forever reread.' His detailed analyses of so many past productions are rare and exciting. His unfolding of the Greek texts and the many different translations is both instructive and exhilarating. He reveals the contradictions within the specific structures of the characters, and also of the chorus, in a way that every actor will be grateful for. I never saw any of the productions he describes, explains, and analyzes, but I have an unforgettable secondhand memory of them, thanks to his own knowledge and keen joy in his subject." - Vanessa Redgrave"

How to Stage Greek Tragedy Today

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Order before 4pm today for delivery by Fri 19 Dec 2025.

A Paperback / softback by Simon Goldhill

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    View other formats and editions of How to Stage Greek Tragedy Today by Simon Goldhill

    Publisher: The University of Chicago Press
    Publication Date: 15/11/2007
    ISBN13: 9780226301280, 978-0226301280
    ISBN10: 0226301281

    Description

    Book Synopsis
    From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This title explains how Aeschylus, Euripides, and Sophocles conceived their works in performance. It summarizes what we know about how their tragedies were actually staged.

    Trade Review
    "Simon Goldhill's new book is enthralling. A 'can't put down' and a 'forever reread.' His detailed analyses of so many past productions are rare and exciting. His unfolding of the Greek texts and the many different translations is both instructive and exhilarating. He reveals the contradictions within the specific structures of the characters, and also of the chorus, in a way that every actor will be grateful for. I never saw any of the productions he describes, explains, and analyzes, but I have an unforgettable secondhand memory of them, thanks to his own knowledge and keen joy in his subject." - Vanessa Redgrave"

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