Description

An accessible introduction to the quintessential art form of the Islamic world

How to Read Islamic Calligraphy explores the preeminence of the written word as a means of creative expression throughout the Islamic world. Aimed at a general audience, the book introduces all five major Islamic calligraphic script types, demonstrates their distinctive visual characteristics, and explains the various contexts in which each one came to be used, whether for transcribing the Qur’an, composing poetry, or issuing written edicts from the sultan’s court. Numerous examples illustrate how the transmission of these styles and techniques from master to pupil was fundamental to the flourishing of Islamic calligraphy, and handwriting models from as early as the 10th century continue to inspire students of calligraphy today.

Superbly illustrated, the works discussed include manuscripts, glass, metalware, and ceramic tiles. This accessible and engaging book traces the progression of calligraphic styles over centuries and across geographical regions, affirming the spectacular range of creative possibilities afforded by this unique art form.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

How to Read Islamic Calligraphy

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Paperback / softback by Maryam Ekhtiar

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Description:

An accessible introduction to the quintessential art form of the Islamic worldHow to Read Islamic Calligraphy explores the preeminence of... Read more

    Publisher: Metropolitan Museum of Art
    Publication Date: 16/10/2018
    ISBN13: 9781588396303, 978-1588396303
    ISBN10: 1588396304

    Number of Pages: 156

    Non Fiction , Art & Photography

    Description

    An accessible introduction to the quintessential art form of the Islamic world

    How to Read Islamic Calligraphy explores the preeminence of the written word as a means of creative expression throughout the Islamic world. Aimed at a general audience, the book introduces all five major Islamic calligraphic script types, demonstrates their distinctive visual characteristics, and explains the various contexts in which each one came to be used, whether for transcribing the Qur’an, composing poetry, or issuing written edicts from the sultan’s court. Numerous examples illustrate how the transmission of these styles and techniques from master to pupil was fundamental to the flourishing of Islamic calligraphy, and handwriting models from as early as the 10th century continue to inspire students of calligraphy today.

    Superbly illustrated, the works discussed include manuscripts, glass, metalware, and ceramic tiles. This accessible and engaging book traces the progression of calligraphic styles over centuries and across geographical regions, affirming the spectacular range of creative possibilities afforded by this unique art form.

    Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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