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Book Synopsis
The intense relationship between philosopher Martin Heidegger and his cabin in the Black Forest: the first substantial account of die Hütte and its influence on Heidegger's life and work.

This is the most thorough architectural 'crit' of a hut ever set down, the justification for which is that the hut was the setting in which Martin Heidegger wrote phenomenological texts that became touchstones for late-twentieth-century architectural theory.
—from the foreword by Simon Sadler

Beginning in the summer of 1922, philosopher Martin Heidegger (1889-1976) occupied a small, three-room cabin in the Black Forest Mountains of southern Germany. He called it die Hütte (the hut). Over the years, Heidegger worked on many of his most famous writings in this cabin, from his early lectures to his last enigmatic texts. He claimed an intellectual and emotional intimacy with the building and its surroundings, and even suggested that the landscape expressed itself through

Heideggers Hut The MIT Press

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A Paperback by Adam Sharr


    View other formats and editions of Heideggers Hut The MIT Press by Adam Sharr

    Publisher: MIT Press
    Publication Date: 2/24/2017 12:00:00 AM
    ISBN13: 9780262533669, 978-0262533669
    ISBN10: 0262533669

    Description

    Book Synopsis
    The intense relationship between philosopher Martin Heidegger and his cabin in the Black Forest: the first substantial account of die Hütte and its influence on Heidegger's life and work.

    This is the most thorough architectural 'crit' of a hut ever set down, the justification for which is that the hut was the setting in which Martin Heidegger wrote phenomenological texts that became touchstones for late-twentieth-century architectural theory.
    —from the foreword by Simon Sadler

    Beginning in the summer of 1922, philosopher Martin Heidegger (1889-1976) occupied a small, three-room cabin in the Black Forest Mountains of southern Germany. He called it die Hütte (the hut). Over the years, Heidegger worked on many of his most famous writings in this cabin, from his early lectures to his last enigmatic texts. He claimed an intellectual and emotional intimacy with the building and its surroundings, and even suggested that the landscape expressed itself through

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