Description

Book Synopsis
Hagar’s Daughter is Pauline Elizabeth Hopkins’s first serial novel, published in the Boston-based Colored American Magazine (1901-1902). The novel itself features concealed and mistaken identities, dramatic revelations, and extraordinary plot twists. In Part 1, Maryland plantation heirs Hagar Sargeant and Ellis Enson fall in love, marry, and have a daughter. However, Ellis’s covetous younger brother, St. Clair, claims that Hagar is of mixed-race ancestry, putting her and her infant in peril. When Ellis is presumed to be dead, St. Clair sells Hagar and her child into slavery, and they presumably die when Hagar, in despair, leaps into the Potomac River with her daughter. This is the backdrop for Part 2 (set twenty years later), which includes a high-profile murder trial, an abduction plot, and a steady succession of surprises as the young Black maid Venus Johnson assumes male clothing to solve a series of mysteries that are both current and decades-old.

The appendices to this Broadview edition feature advertising for the original publication, other writing by Hopkins and her contemporaries, and reviews that situate the work within the popular literature and political culture of its time.



Trade Review
“John Cullen Gruesser and Alisha R. Knight have recovered a new American classic by novelist and Colored American Magazine editor Pauline Elizabeth Hopkins. Hagar’s Daughter has it all: political intrigue, murder mystery, star-crossed romance, slave rebellion, and civil war history. A cogent introduction and relevant appendices provide excellent context for both the novice and scholar alike to appreciate the tumultuous US landscape navigated by Hopkins and her peers. The editors’ insightful inclusion of Hopkins’s selected nonfiction and her short story ‘Talma Gordon’ allow for a synergistic reading experience akin to how contemporaneous readers would have encountered the novel in its initial serial form alongside its original, iconic illustrations. This meticulously crafted edition enables a new generation to appreciate one of the most prolific and innovative Black women writers of the early twentieth century.” — Cherene Sherrard-Johnson, University of Wisconsin-Madison

“This deliberately curated modern edition of Hagar's Daughter provides a rich contextual literary, social, and historical backdrop for one of Pauline Elizabeth Hopkins's most engrossing novels. Readers, students, and teachers alike will be engrossed by the novel itself and enriched by the illuminating primary and secondary materials that reveal the challenges of race, prejudice, and family in post-bellum America and illuminate Hopkins's far-reaching creative genius.” — Lois Brown, Arizona State University



Table of Contents
  • Illustrations
  • Acknowledgements
  • Introduction
  • Pauline Elizabeth Hopkins: A Brief Chronology
  • A Note on the Text
  • Hagar’s Daughter. A Story of Southern Caste Prejudice
  • Appendix A: Hagar’s Daughter Synopsis in the Colored American Magazine (1902)
  • Appendix B: Promoting Hagar’s Daughter
  • 1. Cover of the Colored American Magazine (March 1901)
  • 2. Advertisement for Contending Forces, Colored American Magazine (March 1902)
  • 3. Subscription Advertisement for Colored American Magazine (March 1902)
  • 4. From “Editorial and Publishers’ Announcements,” Colored American Magazine (March 1902)
  • Appendix C: Race/History
  • 1. From Pauline E. Hopkins, “Hon. Frederick Douglass,” Colored American Magazine (December 1900)
  • 2. John Greenleaf Whittier, “Moloch in State Street” (1851)
  • 3. From “Gen. Robert Smalls,” National Republican (6 March 1886)
  • 4. From Pauline E. Hopkins, “Munroe Rogers,” Colored American Magazine (November 1902)
  • Appendix D: The Figure of Hagar
  • 1. Genesis 16 and 21
  • 2. From Pauline E. Hopkins, “Artists,” Famous Women of the Negro Race, X, Colored American Magazine (September 1902)
  • 3. Eliza Poitevent Nicholson, “Hagar,” The Cosmopolitan (November 1893)
  • Appendix E: Popular Genres and Literary Experimentation
  • 1. From Pauline E. Hopkins, Peculiar Sam (1879)
  • 2. Pauline E. Hopkins, “Talma Gordon,” Colored American Magazine (October 1900)
  • 3. Pauline E. Hopkins, “A Dash for Liberty,” Colored American Magazine (August 1901)
  • Appendix F: Gender
  • 1. From Pauline E. Hopkins, “Phenomenal Vocalists,” Famous Women of the Negro Race, I, Colored American Magazine (November 1901)
  • 2. From J. Shirley Shadrach, “Furnace Blasts. II. Black or White—Which Should Be the Young Afro-American’s Choice in Marriage,” Colored American Magazine (March 1903)
  • 3. From Pauline E. Hopkins to W[illiam] M[onroe] Trotter (16 April 1905)
  • Appendix G: Borrowings/Plagiarism/Signifying
  • 1. Illustration from Harriet Beecher Stowe, Uncle Tom’s Cabin (1852)
  • 2. From William Wells Brown, Clotel; or, The President’s Daughter, Chapter 2 and Chapter 25 (1853)
  • 3. Fanny Driscoll, “Two Women,” Frank Leslie’s Popular Monthly (May 1884)
  • Appendix H: Contemporary Responses to Hagar’s Daughter
  • 1. “The Colored Magazine,” Weekly Economist (15 March 1901)
  • 2. From “Editorial and Publishers’ Announcements,” Colored American Magazine (March 1903)
  • Works Cited and Select Bibliography

Hagar’s Daughter: A Story of Southern Caste

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A Paperback / softback by Pauline Hopkins, John Gruesser, Alisha Knight

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    View other formats and editions of Hagar’s Daughter: A Story of Southern Caste by Pauline Hopkins

    Publisher: Broadview Press Ltd
    Publication Date: 30/12/2020
    ISBN13: 9781554815630, 978-1554815630
    ISBN10: 1554815630
    Also in:
    Classics

    Description

    Book Synopsis
    Hagar’s Daughter is Pauline Elizabeth Hopkins’s first serial novel, published in the Boston-based Colored American Magazine (1901-1902). The novel itself features concealed and mistaken identities, dramatic revelations, and extraordinary plot twists. In Part 1, Maryland plantation heirs Hagar Sargeant and Ellis Enson fall in love, marry, and have a daughter. However, Ellis’s covetous younger brother, St. Clair, claims that Hagar is of mixed-race ancestry, putting her and her infant in peril. When Ellis is presumed to be dead, St. Clair sells Hagar and her child into slavery, and they presumably die when Hagar, in despair, leaps into the Potomac River with her daughter. This is the backdrop for Part 2 (set twenty years later), which includes a high-profile murder trial, an abduction plot, and a steady succession of surprises as the young Black maid Venus Johnson assumes male clothing to solve a series of mysteries that are both current and decades-old.

    The appendices to this Broadview edition feature advertising for the original publication, other writing by Hopkins and her contemporaries, and reviews that situate the work within the popular literature and political culture of its time.



    Trade Review
    “John Cullen Gruesser and Alisha R. Knight have recovered a new American classic by novelist and Colored American Magazine editor Pauline Elizabeth Hopkins. Hagar’s Daughter has it all: political intrigue, murder mystery, star-crossed romance, slave rebellion, and civil war history. A cogent introduction and relevant appendices provide excellent context for both the novice and scholar alike to appreciate the tumultuous US landscape navigated by Hopkins and her peers. The editors’ insightful inclusion of Hopkins’s selected nonfiction and her short story ‘Talma Gordon’ allow for a synergistic reading experience akin to how contemporaneous readers would have encountered the novel in its initial serial form alongside its original, iconic illustrations. This meticulously crafted edition enables a new generation to appreciate one of the most prolific and innovative Black women writers of the early twentieth century.” — Cherene Sherrard-Johnson, University of Wisconsin-Madison

    “This deliberately curated modern edition of Hagar's Daughter provides a rich contextual literary, social, and historical backdrop for one of Pauline Elizabeth Hopkins's most engrossing novels. Readers, students, and teachers alike will be engrossed by the novel itself and enriched by the illuminating primary and secondary materials that reveal the challenges of race, prejudice, and family in post-bellum America and illuminate Hopkins's far-reaching creative genius.” — Lois Brown, Arizona State University



    Table of Contents
    • Illustrations
    • Acknowledgements
    • Introduction
    • Pauline Elizabeth Hopkins: A Brief Chronology
    • A Note on the Text
    • Hagar’s Daughter. A Story of Southern Caste Prejudice
    • Appendix A: Hagar’s Daughter Synopsis in the Colored American Magazine (1902)
    • Appendix B: Promoting Hagar’s Daughter
    • 1. Cover of the Colored American Magazine (March 1901)
    • 2. Advertisement for Contending Forces, Colored American Magazine (March 1902)
    • 3. Subscription Advertisement for Colored American Magazine (March 1902)
    • 4. From “Editorial and Publishers’ Announcements,” Colored American Magazine (March 1902)
    • Appendix C: Race/History
    • 1. From Pauline E. Hopkins, “Hon. Frederick Douglass,” Colored American Magazine (December 1900)
    • 2. John Greenleaf Whittier, “Moloch in State Street” (1851)
    • 3. From “Gen. Robert Smalls,” National Republican (6 March 1886)
    • 4. From Pauline E. Hopkins, “Munroe Rogers,” Colored American Magazine (November 1902)
    • Appendix D: The Figure of Hagar
    • 1. Genesis 16 and 21
    • 2. From Pauline E. Hopkins, “Artists,” Famous Women of the Negro Race, X, Colored American Magazine (September 1902)
    • 3. Eliza Poitevent Nicholson, “Hagar,” The Cosmopolitan (November 1893)
    • Appendix E: Popular Genres and Literary Experimentation
    • 1. From Pauline E. Hopkins, Peculiar Sam (1879)
    • 2. Pauline E. Hopkins, “Talma Gordon,” Colored American Magazine (October 1900)
    • 3. Pauline E. Hopkins, “A Dash for Liberty,” Colored American Magazine (August 1901)
    • Appendix F: Gender
    • 1. From Pauline E. Hopkins, “Phenomenal Vocalists,” Famous Women of the Negro Race, I, Colored American Magazine (November 1901)
    • 2. From J. Shirley Shadrach, “Furnace Blasts. II. Black or White—Which Should Be the Young Afro-American’s Choice in Marriage,” Colored American Magazine (March 1903)
    • 3. From Pauline E. Hopkins to W[illiam] M[onroe] Trotter (16 April 1905)
    • Appendix G: Borrowings/Plagiarism/Signifying
    • 1. Illustration from Harriet Beecher Stowe, Uncle Tom’s Cabin (1852)
    • 2. From William Wells Brown, Clotel; or, The President’s Daughter, Chapter 2 and Chapter 25 (1853)
    • 3. Fanny Driscoll, “Two Women,” Frank Leslie’s Popular Monthly (May 1884)
    • Appendix H: Contemporary Responses to Hagar’s Daughter
    • 1. “The Colored Magazine,” Weekly Economist (15 March 1901)
    • 2. From “Editorial and Publishers’ Announcements,” Colored American Magazine (March 1903)
    • Works Cited and Select Bibliography

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